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Mutual Forcing: Dual-Mode Self-Evolution for Fast Autoregressive Audio-Video Character Generation WhisperPipe: A Resource-Efficient Streaming Architecture for Real-Time Automatic Speech Recognition Walking Through Uncertainty: An Empirical Study of Uncertainty Estimation for Audio-Aware Large Language Models PSP: An Interpretable Per-Dimension Accent Benchmark for Indic Text-to-Speech Praxy Voice: Voice-Prompt Recovery + BUPS for Commercial-Class Indic TTS from a Frozen Non-Indic Base at Zero Commercial-Training-Data Cost Korean aegyo speech shows systematic F1 increase to signal childlike qualities All That Glitters Is Not Audio: Rethinking Text Priors and Audio Reliance in Audio-Language Evaluation RAS: a Reliability Oriented Metric for Automatic Speech Recognition Speech Enhancement Based on Drifting Models HeadRouter: Dynamic Head-Weight Routing for Task-Adaptive Audio Token Pruning in Large Audio Language Models Hallo-Live: Real-Time Streaming Joint Audio-Video Avatar Generation with Asynchronous Dual-Stream and Human-Centric Preference Distillation Talker-T2AV: Joint Talking Audio-Video Generation with Autoregressive Diffusion Modeling Robust Audio-Text Retrieval via Cross-Modal Attention and Hybrid Loss Spectro-Temporal Modulation Representation Framework for Human-Imitated Speech Detection UniSonate: A Unified Model for Speech, Music, and Sound Effect Generation with Text Instructions Do LLM Decoders Listen Fairly? Benchmarking How Language Model Priors Shape Bias in Speech Recognition Materialistic RIR: Material Conditioned Realistic RIR Generation SpeechParaling-Bench: A Comprehensive Benchmark for Paralinguistic-Aware Speech Generation ONOTE: Benchmarking Omnimodal Notation Processing for Expert-level Music Intelligence From Image to Music Language: A Two-Stage Structure Decoding Approach for Complex Polyphonic OMR ATIR: Towards Audio-Text Interleaved Contextual Retrieval Enhancing Speaker Verification with Whispered Speech via Post-Processing Environmental Sound Deepfake Detection Using Deep-Learning Framework Towards Streaming Target Speaker Extraction via Chunk-wise Interleaved Splicing of Autoregressive Language Model BEAT: Tokenizing and Generating Symbolic Music by Uniform Temporal Steps Deep Supervised Contrastive Learning of Pitch Contours for Robust Pitch Accent Classification in Seoul Korean HalluAudio: A Comprehensive Benchmark for Hallucination Detection in Large Audio-Language Models UAF: A Unified Audio Front-end LLM for Full-Duplex Speech Interaction Voice of India: A Large-Scale Benchmark for Real-World Speech Recognition in India Tadabur: A Large-Scale Quran Audio Dataset
A Survey on 30+ Years of Automatic Singing Assessment and...
Arthur N. dos Santos, Bruno S. Masiero · 2026-01-18 · via cs.SD updates on arXiv.org

Automatic Singing Assessment and Singing Information Processing have evolved over the past three decades to support singing pedagogy, performance analysis, and vocal training. While the first approach objectively evaluates a singer's performance through computational metrics ranging from real-time visual feedback and acoustical biofeedback to sophisticated pitch tracking and spectral analysis, the latter method compares a predictor vocal signal with a target reference to capture nuanced data embedded in the singing voice. Notable advancements include the development of interactive systems that have significantly improved real-time visual feedback, and the integration of machine learning and deep neural network architectures that enhance the precision of vocal signal processing. This survey critically examines the literature to map the historical evolution of these technologies, while identifying and discussing key gaps. The analysis reveals persistent challenges, such as the lack of standardized evaluation frameworks, difficulties in reliably separating vocal signals from various noise sources, and the underutilization of advanced digital signal processing and artificial intelligence methodologies for capturing artistic expressivity. By detailing these limitations and the corresponding technological advances, this review demonstrates how addressing these issues can bridge the gap between objective computational assessments and subjective human-like evaluations of singing performance, ultimately enhancing both the technical accuracy and pedagogical relevance of automated singing evaluation systems.