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cs.SD updates on arXiv.org

Mutual Forcing: Dual-Mode Self-Evolution for Fast Autoregressive Audio-Video Character Generation WhisperPipe: A Resource-Efficient Streaming Architecture for Real-Time Automatic Speech Recognition Walking Through Uncertainty: An Empirical Study of Uncertainty Estimation for Audio-Aware Large Language Models PSP: An Interpretable Per-Dimension Accent Benchmark for Indic Text-to-Speech Praxy Voice: Voice-Prompt Recovery + BUPS for Commercial-Class Indic TTS from a Frozen Non-Indic Base at Zero Commercial-Training-Data Cost Korean aegyo speech shows systematic F1 increase to signal childlike qualities All That Glitters Is Not Audio: Rethinking Text Priors and Audio Reliance in Audio-Language Evaluation RAS: a Reliability Oriented Metric for Automatic Speech Recognition Speech Enhancement Based on Drifting Models HeadRouter: Dynamic Head-Weight Routing for Task-Adaptive Audio Token Pruning in Large Audio Language Models Hallo-Live: Real-Time Streaming Joint Audio-Video Avatar Generation with Asynchronous Dual-Stream and Human-Centric Preference Distillation Talker-T2AV: Joint Talking Audio-Video Generation with Autoregressive Diffusion Modeling Robust Audio-Text Retrieval via Cross-Modal Attention and Hybrid Loss Spectro-Temporal Modulation Representation Framework for Human-Imitated Speech Detection UniSonate: A Unified Model for Speech, Music, and Sound Effect Generation with Text Instructions Do LLM Decoders Listen Fairly? Benchmarking How Language Model Priors Shape Bias in Speech Recognition Materialistic RIR: Material Conditioned Realistic RIR Generation SpeechParaling-Bench: A Comprehensive Benchmark for Paralinguistic-Aware Speech Generation ONOTE: Benchmarking Omnimodal Notation Processing for Expert-level Music Intelligence From Image to Music Language: A Two-Stage Structure Decoding Approach for Complex Polyphonic OMR ATIR: Towards Audio-Text Interleaved Contextual Retrieval Enhancing Speaker Verification with Whispered Speech via Post-Processing Environmental Sound Deepfake Detection Using Deep-Learning Framework Towards Streaming Target Speaker Extraction via Chunk-wise Interleaved Splicing of Autoregressive Language Model BEAT: Tokenizing and Generating Symbolic Music by Uniform Temporal Steps Deep Supervised Contrastive Learning of Pitch Contours for Robust Pitch Accent Classification in Seoul Korean HalluAudio: A Comprehensive Benchmark for Hallucination Detection in Large Audio-Language Models UAF: A Unified Audio Front-end LLM for Full-Duplex Speech Interaction Voice of India: A Large-Scale Benchmark for Real-World Speech Recognition in India Tadabur: A Large-Scale Quran Audio Dataset
Music Similarity Calculation of Individual Instrumental S...
Yuka Hashizume, Li Li, Tomoki Toda · 2022-11-15 · via cs.SD updates on arXiv.org

The criteria for measuring music similarity are important for developing a flexible music recommendation system. Some data-driven methods have been proposed to calculate music similarity from only music signals, such as metric learning based on a triplet loss using tag information on each musical piece. However, the resulting music similarity metric usually captures the entire piece of music, i.e., the mixing of various instrumental sound sources, limiting the capability of the music recommendation system, e.g., it is difficult to search for a musical piece containing similar drum sounds. Towards the development of a more flexible music recommendation system, we propose a music similarity calculation method that focuses on individual instrumental sound sources in a musical piece. By fully exploiting the potential of data-driven methods for our proposed method, we employ weakly supervised metric learning to individual instrumental sound source signals without using any tag information, where positive and negative samples in a triplet loss are defined by whether or not they are from the same musical piece. Furthermore, assuming that each instrumental sound source is not always available in practice, we also investigate the effects of using instrumental sound source separation to obtain each source in the proposed method. Experimental results have shown that (1) unique similarity metrics can be learned for individual instrumental sound sources, (2) similarity metrics learned using some instrumental sound sources are possible to lead to more accurate results than that learned using the entire musical piece, (3) the performance degraded when learning with the separated instrumental sounds, and (4) similarity metrics learned by the proposed method well produced results that correspond to perception by human senses.