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Mutual Forcing: Dual-Mode Self-Evolution for Fast Autoregressive Audio-Video Character Generation WhisperPipe: A Resource-Efficient Streaming Architecture for Real-Time Automatic Speech Recognition Walking Through Uncertainty: An Empirical Study of Uncertainty Estimation for Audio-Aware Large Language Models PSP: An Interpretable Per-Dimension Accent Benchmark for Indic Text-to-Speech Praxy Voice: Voice-Prompt Recovery + BUPS for Commercial-Class Indic TTS from a Frozen Non-Indic Base at Zero Commercial-Training-Data Cost Korean aegyo speech shows systematic F1 increase to signal childlike qualities All That Glitters Is Not Audio: Rethinking Text Priors and Audio Reliance in Audio-Language Evaluation RAS: a Reliability Oriented Metric for Automatic Speech Recognition Speech Enhancement Based on Drifting Models HeadRouter: Dynamic Head-Weight Routing for Task-Adaptive Audio Token Pruning in Large Audio Language Models Hallo-Live: Real-Time Streaming Joint Audio-Video Avatar Generation with Asynchronous Dual-Stream and Human-Centric Preference Distillation Talker-T2AV: Joint Talking Audio-Video Generation with Autoregressive Diffusion Modeling Robust Audio-Text Retrieval via Cross-Modal Attention and Hybrid Loss Spectro-Temporal Modulation Representation Framework for Human-Imitated Speech Detection UniSonate: A Unified Model for Speech, Music, and Sound Effect Generation with Text Instructions Do LLM Decoders Listen Fairly? Benchmarking How Language Model Priors Shape Bias in Speech Recognition Materialistic RIR: Material Conditioned Realistic RIR Generation SpeechParaling-Bench: A Comprehensive Benchmark for Paralinguistic-Aware Speech Generation ONOTE: Benchmarking Omnimodal Notation Processing for Expert-level Music Intelligence From Image to Music Language: A Two-Stage Structure Decoding Approach for Complex Polyphonic OMR ATIR: Towards Audio-Text Interleaved Contextual Retrieval Enhancing Speaker Verification with Whispered Speech via Post-Processing Environmental Sound Deepfake Detection Using Deep-Learning Framework Towards Streaming Target Speaker Extraction via Chunk-wise Interleaved Splicing of Autoregressive Language Model BEAT: Tokenizing and Generating Symbolic Music by Uniform Temporal Steps Deep Supervised Contrastive Learning of Pitch Contours for Robust Pitch Accent Classification in Seoul Korean HalluAudio: A Comprehensive Benchmark for Hallucination Detection in Large Audio-Language Models UAF: A Unified Audio Front-end LLM for Full-Duplex Speech Interaction Voice of India: A Large-Scale Benchmark for Real-World Speech Recognition in India Tadabur: A Large-Scale Quran Audio Dataset
Encoding of musical structures in hidden units of restric...
[Submitted on 5 Sep 2025 (v1), last revised 17 Aug 2026 (this ve · 2025-09-05 · via cs.SD updates on arXiv.org

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Abstract:Restricted Boltzmann machines (RBMs) are energy-based models originating from statistical physics, in which hidden units mediate the probability distribution of high-dimensional visible configurations. In this study, we use symbolic music as a structured non-physical dataset and investigate how musical regularities are encoded in the hidden layer of a Bernoulli-Bernoulli RBM. Musical scores by J.~S.~Bach are converted into binary piano-roll representations and used to train the model in an unsupervised manner. We then analyze the visible-layer patterns induced by individual hidden units by activating hidden units separately and computing the corresponding expected visible configurations. The trained RBM reconstructs piano-roll-like inputs and assigns lower energies to piano-roll configurations than to most non-musical binary images, indicating that the learned energy function captures statistical features of the piano-roll dataset. The hidden units mainly encode local temporal and pitch-statistical structures, such as sparse piano-roll-like textures, rather than directly separable musical concepts such as melodies, chords, or keys. We also analyze hidden-layer representations using t-SNE and find that transposed versions of the same musical pieces are not necessarily mapped to nearby regions in the hidden space. This behavior indicates that the trained RBM does not robustly capture transposition equivalence, which is naturally explained by the lack of translational invariance in standard RBM architectures. Samples from the trained RBM show local pitch organization, whereas iterative continuation reveals limited long-range coherence. These results provide a statistical-physics case study of how a simple spin model represents structured creative data and clarify both the usefulness and limitations of standard RBMs as interpretable models of musical structure.

Submission history

From: Hiroshi Watanabe [view email]
[v1] Fri, 5 Sep 2025 08:18:14 UTC (3,797 KB)
[v2] Mon, 8 Sep 2025 07:31:38 UTC (368 KB)
[v3] Thu, 27 Nov 2025 09:02:59 UTC (1,076 KB)
[v4] Mon, 17 Aug 2026 08:30:25 UTC (1,226 KB)