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cs.SD updates on arXiv.org

Mutual Forcing: Dual-Mode Self-Evolution for Fast Autoregressive Audio-Video Character Generation WhisperPipe: A Resource-Efficient Streaming Architecture for Real-Time Automatic Speech Recognition Walking Through Uncertainty: An Empirical Study of Uncertainty Estimation for Audio-Aware Large Language Models PSP: An Interpretable Per-Dimension Accent Benchmark for Indic Text-to-Speech Praxy Voice: Voice-Prompt Recovery + BUPS for Commercial-Class Indic TTS from a Frozen Non-Indic Base at Zero Commercial-Training-Data Cost Korean aegyo speech shows systematic F1 increase to signal childlike qualities All That Glitters Is Not Audio: Rethinking Text Priors and Audio Reliance in Audio-Language Evaluation RAS: a Reliability Oriented Metric for Automatic Speech Recognition Speech Enhancement Based on Drifting Models HeadRouter: Dynamic Head-Weight Routing for Task-Adaptive Audio Token Pruning in Large Audio Language Models Hallo-Live: Real-Time Streaming Joint Audio-Video Avatar Generation with Asynchronous Dual-Stream and Human-Centric Preference Distillation Talker-T2AV: Joint Talking Audio-Video Generation with Autoregressive Diffusion Modeling Robust Audio-Text Retrieval via Cross-Modal Attention and Hybrid Loss Spectro-Temporal Modulation Representation Framework for Human-Imitated Speech Detection UniSonate: A Unified Model for Speech, Music, and Sound Effect Generation with Text Instructions Do LLM Decoders Listen Fairly? Benchmarking How Language Model Priors Shape Bias in Speech Recognition Materialistic RIR: Material Conditioned Realistic RIR Generation SpeechParaling-Bench: A Comprehensive Benchmark for Paralinguistic-Aware Speech Generation ONOTE: Benchmarking Omnimodal Notation Processing for Expert-level Music Intelligence From Image to Music Language: A Two-Stage Structure Decoding Approach for Complex Polyphonic OMR ATIR: Towards Audio-Text Interleaved Contextual Retrieval Enhancing Speaker Verification with Whispered Speech via Post-Processing Environmental Sound Deepfake Detection Using Deep-Learning Framework Towards Streaming Target Speaker Extraction via Chunk-wise Interleaved Splicing of Autoregressive Language Model BEAT: Tokenizing and Generating Symbolic Music by Uniform Temporal Steps Deep Supervised Contrastive Learning of Pitch Contours for Robust Pitch Accent Classification in Seoul Korean HalluAudio: A Comprehensive Benchmark for Hallucination Detection in Large Audio-Language Models UAF: A Unified Audio Front-end LLM for Full-Duplex Speech Interaction Voice of India: A Large-Scale Benchmark for Real-World Speech Recognition in India Tadabur: A Large-Scale Quran Audio Dataset
A Transfer Learning End-to-End ArabicText-To-Speech (TTS)...
Fady Fahmy, Mahmoud Khalil, Hazem Abbas · 2020-07-23 · via cs.SD updates on arXiv.org

Speech synthesis is the artificial production of human speech. A typical text-to-speech system converts a language text into a waveform. There exist many English TTS systems that produce mature, natural, and human-like speech synthesizers. In contrast, other languages, including Arabic, have not been considered until recently. Existing Arabic speech synthesis solutions are slow, of low quality, and the naturalness of synthesized speech is inferior to the English synthesizers. They also lack essential speech key factors such as intonation, stress, and rhythm. Different works were proposed to solve those issues, including the use of concatenative methods such as unit selection or parametric methods. However, they required a lot of laborious work and domain expertise. Another reason for such poor performance of Arabic speech synthesizers is the lack of speech corpora, unlike English that has many publicly available corpora and audiobooks. This work describes how to generate high quality, natural, and human-like Arabic speech using an end-to-end neural deep network architecture. This work uses just $\langle$ text, audio $\rangle$ pairs with a relatively small amount of recorded audio samples with a total of 2.41 hours. It illustrates how to use English character embedding despite using diacritic Arabic characters as input and how to preprocess these audio samples to achieve the best results.