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cs.SD updates on arXiv.org

Mutual Forcing: Dual-Mode Self-Evolution for Fast Autoregressive Audio-Video Character Generation WhisperPipe: A Resource-Efficient Streaming Architecture for Real-Time Automatic Speech Recognition Walking Through Uncertainty: An Empirical Study of Uncertainty Estimation for Audio-Aware Large Language Models PSP: An Interpretable Per-Dimension Accent Benchmark for Indic Text-to-Speech Praxy Voice: Voice-Prompt Recovery + BUPS for Commercial-Class Indic TTS from a Frozen Non-Indic Base at Zero Commercial-Training-Data Cost Korean aegyo speech shows systematic F1 increase to signal childlike qualities All That Glitters Is Not Audio: Rethinking Text Priors and Audio Reliance in Audio-Language Evaluation RAS: a Reliability Oriented Metric for Automatic Speech Recognition Speech Enhancement Based on Drifting Models HeadRouter: Dynamic Head-Weight Routing for Task-Adaptive Audio Token Pruning in Large Audio Language Models Hallo-Live: Real-Time Streaming Joint Audio-Video Avatar Generation with Asynchronous Dual-Stream and Human-Centric Preference Distillation Talker-T2AV: Joint Talking Audio-Video Generation with Autoregressive Diffusion Modeling Robust Audio-Text Retrieval via Cross-Modal Attention and Hybrid Loss Spectro-Temporal Modulation Representation Framework for Human-Imitated Speech Detection UniSonate: A Unified Model for Speech, Music, and Sound Effect Generation with Text Instructions Do LLM Decoders Listen Fairly? Benchmarking How Language Model Priors Shape Bias in Speech Recognition Materialistic RIR: Material Conditioned Realistic RIR Generation SpeechParaling-Bench: A Comprehensive Benchmark for Paralinguistic-Aware Speech Generation ONOTE: Benchmarking Omnimodal Notation Processing for Expert-level Music Intelligence From Image to Music Language: A Two-Stage Structure Decoding Approach for Complex Polyphonic OMR ATIR: Towards Audio-Text Interleaved Contextual Retrieval Enhancing Speaker Verification with Whispered Speech via Post-Processing Environmental Sound Deepfake Detection Using Deep-Learning Framework Towards Streaming Target Speaker Extraction via Chunk-wise Interleaved Splicing of Autoregressive Language Model BEAT: Tokenizing and Generating Symbolic Music by Uniform Temporal Steps Deep Supervised Contrastive Learning of Pitch Contours for Robust Pitch Accent Classification in Seoul Korean HalluAudio: A Comprehensive Benchmark for Hallucination Detection in Large Audio-Language Models UAF: A Unified Audio Front-end LLM for Full-Duplex Speech Interaction Voice of India: A Large-Scale Benchmark for Real-World Speech Recognition in India Tadabur: A Large-Scale Quran Audio Dataset
Perception-Aware Attack: Creating Adversarial Music via R...
Rui Duan, Zhe Qu, Shangqing Zhao, Leah Ding, Yao Liu, Zhuo Lu · 2022-07-27 · via cs.SD updates on arXiv.org

Recently, adversarial machine learning attacks have posed serious security threats against practical audio signal classification systems, including speech recognition, speaker recognition, and music copyright detection. Previous studies have mainly focused on ensuring the effectiveness of attacking an audio signal classifier via creating a small noise-like perturbation on the original signal. It is still unclear if an attacker is able to create audio signal perturbations that can be well perceived by human beings in addition to its attack effectiveness. This is particularly important for music signals as they are carefully crafted with human-enjoyable audio characteristics. In this work, we formulate the adversarial attack against music signals as a new perception-aware attack framework, which integrates human study into adversarial attack design. Specifically, we conduct a human study to quantify the human perception with respect to a change of a music signal. We invite human participants to rate their perceived deviation based on pairs of original and perturbed music signals, and reverse-engineer the human perception process by regression analysis to predict the human-perceived deviation given a perturbed signal. The perception-aware attack is then formulated as an optimization problem that finds an optimal perturbation signal to minimize the prediction of perceived deviation from the regressed human perception model. We use the perception-aware framework to design a realistic adversarial music attack against YouTube's copyright detector. Experiments show that the perception-aware attack produces adversarial music with significantly better perceptual quality than prior work.