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The thing I bounced off isn't the high-concept art, or the abstract math. It’s the combination of the two without enough bridge between them. You have to infer too much about how the poetic layer, the mathematical notation, and the actual machinery relate.
You can do mind-expansion by induction in a math journal. This is not that venue. And this project is too good to waste by letting people walk away confused.
I’d love a very plain “one clock, end to end” walkthrough: primitives, composition, graph, rendered result.
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