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Zhao—whose films Hamnet and Nomadland led to Oscar wins for Jessie Buckley and Frances McDormand, respectively—is a member of the Cannes jury this year, so it’s only natural that she’s brought a striking array of looks to the festival.
“This is one of the very few times that I’m at a festival not representing a film, so there’s a lot of freedom for me to have fun—there’s less pressure,” Zhao tells Vogue. It’s just that sense of play that will be informing her wardrobe over the next two weeks. “I wanted to have fun and be playful, and a little messy—not follow any rules,” she adds.
Impressively enough, Zhao has forgone working with a stylist for this year’s Cannes—opting instead to collaborate directly with brands or designers with whom she has an existing relationship. “They showed me some lookbooks, and I just picked [looks] that made me feel excited,” Zhao says. “To me, its a very instinctual thing—kind of like choosing things on set. It just feels right, even if it doesn’t make sense. There’s a physical feeling about it.”

In Gabriela Hearst
Upon her arrival in France earlier this week, the director walked off the tarmac in a red, long-sleeved knit dress from Gabriela Hearst’s fall 2025 collection—a casual, cool piece that still felt put-together. Later, for the official jury photo call, she changed into a navy knit top and skirt set from Hermès’s spring 2026 collection, finished with strappy sandals. “I wanted to mix things that were comfortable, but also [carve] out time for some wild rides,” says Zhao.
For the festival’s opening ceremony, Zhao collaborated with Hearst once again, this time wearing a black merino, silk, knit, and lace dress with floral and ruffled detailing from fall 2026. She paired it with a cool leather moto jacket for a slightly edgier slant.
“What inspires me about Chloé is the depth that she goes into the symbolism of what she wears,” says Hearst. “My experience of working with her during her Oscars nomination, it was incredible how she knew what symbols to communicate, and we aligned very much on the archetypes, the alchemy, and what inspires her in her storytelling.”

In Hermès
While her ensembles thus far have all leaned cool and elegant—fitting for a Cannes carpet—Hearst says her opening ceremony look for Zhao actually had an unlikely reference. “She’s very inspired by the Gnostic Bible, Mary Magdalene, and the symbolism of that,” says Hearst. “There’s very few artists I can talk with about Marija Gimbutas, and she’s one of them. We are extremely aligned—what inspires her also inspires and calls to me—so it’s always an honor to dress her.”
Consider the director and jury member, then, a style star to watch at Cannes this month. Below, see all of Zhao’s Cannes looks so far—and check back for more over the next two weeks.

Photo: Getty Images
In Gabriela Hearst
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