For resort, Francesca Ruffini shifted FRS from occasion dressing to the business of everyday comfort. The proposition was a wardrobe designed to move from city to shore, sunrise to sundown, balancing ease with insouciance.

Light fabrics like airy cottons, cotton-silk blends, voile, and featherweight weaves were chosen with the increasingly frequent heat waves in mind. Silk remained in the mix, albeit in a supporting role: climate change has little patience for overdressing, and even luxury loses some of its appeal at 40 degrees.

Silhouettes were relaxed, generous, and intentionally loose. Shirt dresses, pajama sets with bermuda shorts, drawstring styles, and languid halter-neck tunics suggested a sensuality that felt unforced, less va-va-voom and more barefoot joie de vivre.

Prints, long an FRS signature, included florals and tie-inspired geometries rendered with hand-drawn intimacy. Among them was the dandelion, “a humble, romantic flower,” of which Ruffini said, there’s “something ephemeral and poetic [about it] that takes me back to childhood, when I would blow on it and watch the wind carry it away.”

Elsewhere, delicate wildflowers intertwined with tie motifs to create decorative yet breezy borders, while cascades of frangipani nodded to Ruffini’s years studying drawing. “It was one of the subjects we were assigned most often,” she recalled. “Its apparent simplicity actually demands great precision.”

Geometric patterns brought rhythm to a palette built around vitamin-packed greens paired with earthy browns; luminous blues sharpened by flashes of fuchsia; and a more graphic dialogue between sky blue and black.

This marks an understated evolution for FRS, conceived for real life, in all its glamorous mundanity. After all, the most compelling luxury today may simply be clothes one actually wants to wear every day.