Last night in Boston, Rosalía made a celestial return to the stage.

“Loved ones need to come first,” she told the crowd, addressing the postponement of her first string of North American dates.

Rosalía’s fourth studio album, Lux, arrived last year, featuring the star singing in 14 languages and leaping from glitchy hip-hop and opera to reggaeton and flamenco-rhythm-inflected sass. On stage for her European shows, she kept up a heaven-ready wardrobe inspired by the album’s references to religious iconography, faith, and spirituality: ballet pointe shoes and puffy tulle skirts, embroidered lace capes, and nun-like headgear.

Facing a mammoth series of shows across North America, she turned to Jonathan Anderson at Dior for her costumes.

“[I loved] working with the Dior team and Jonathan Anderson for the Lux tour wardrobe for the U.S. leg of the tour,” she told Vogue. “It’s been great, and [I] can’t wait for everyone to see our collaboration come to life on stage.”

The singer and designer found common ground in their shared commitment to craft and singular visions. “Hearing Rosalía talk about her process in creating Lux reminded me of couture,” Anderson shared with Vogue. “In its acoustic quality, you feel the level of care and attention to detail in every track—it’s artisanal. She takes an immense knowledge of tradition and craft and creates something completely contemporary with it. In that sense, a partnership with Dior felt extremely natural and exciting.”

For act one of the show, Rosalía began with the powerful, piano-led “Sexo, Violencia y Llantas.” She wore an ivory Dior round-neck knit tank top and a diaphanous organza tutu skirt with leaf-inspired medallions embroidered with decorative white sequins and beads.

Her first costume change leaned into the darker, gothic aesthetics of Lux. Performing the frenetic, techno-pop “Berghain” at hyperspeed, she wore a fine black jersey dress embellished with embroidered brandebourgs, and donned a satin tricorne-style hat from the Dior spring 2026 ready-to-wear collection. She looked every bit of the medieval high priestess.

Anna Cafolla is American Vogue’s news editor, working across fashion, beauty, culture and living from London. Previously, she has worked at Dazed, Cosmopolitan, and ELLE, and has written for The Guardian, The Face, AnOther, and Conde Nast Traveller. She will hold you hostage until you agree to her restaurant recommendations. ... Read More