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How Bad Bunny became ‘Old Bunny’ for the Met Gala 2026: T...
Hilary George · 2026-05-08 · via New York Post

Bad Bunny added five decades to his face in three hours.

The 32-year-old Grammy winner was virtually unrecognizable on the Met Gala 2026 red carpet Monday, arriving as an 85-year-old version of himself complete with deep-set wrinkles, liver spots, sagging skin and a full head of white curls.

Prosthetics designer Mike Marino — who also transformed Heidi Klum into a living statue for the gala — told Allure that the process began six weeks before the big night.

Bad Bunny, with curly white hair and beard, wearing a black suit jacket and large black bow, looks directly ahead.

Bad Bunny arrived at the 2026 Met Gala looking roughly five decades older than his 32 years. Evan Agostini/Invision/AP

Bad Bunny in a black suit with a large black bow tie.

Prosthetics artist Mike Marino spent six weeks building the hyper-realistic aged look. Getty Images

Bad Bunny at the 2026 Met Gala.

Marino sculpted each wrinkle, crease and pore by hand in clay on top of a printed replica of Bad Bunny’s face. Getty Images

Bad Bunny attends the 68th GRAMMY Awards in a black velvet tuxedo.

To predict how Bad Bunny might actually age, Marino studied elderly Puerto Rican men and the singer’s bone structure. Getty Images for The Recording Academy

The build began with a digital scan of the singer’s head, which was used to produce a 3D-printed replica. Marino then used clay on top of the model, carving the texture of aging skin by hand.

“I sculpt every line, every crease, every pore into the clay and that’s what you’ll see on the prosthetics,” he told the outlet.

From those clay molds, his team cast silicone pieces thin enough that the singer could still move and emote naturally. Separate pieces covered his neck, cheeks, forehead, eyelids, earlobes and hands, each airbrushed with blood vessels, shadows and dark spots.

To predict how the singer might actually age, Marino studied elderly Puerto Rican men. He compared his approach to classical portrait painters. “I thought it was cool that, with his grooming, [Bad Bunny] had this distinguished look that was as if a [Diego] Velázquez or [John Singer] Sargent portrait came to life,” he told Allure.

Bad Bunny at the Met Gala 2026, wearing a black suit with a large bow.

Wigmaker Diana Choi and hairstylist Carla Farmer hand-knotted white curls, eyebrows, a mustache and a full beard for the musician. REUTERS

Painting of Philip IV of Spain in a black doublet with a white collar.

Marino compared his approach to the idealized portraits of Old Masters who painted older men as “distinguished.” Universal Images Group via Getty Images

Guests view an exhibition featuring historical and modern clothing on mannequins, with a framed painting positioned among them.

Bad Bunny’s look responded to the “Aging Body” section of the Met’s “Costume Art” exhibition. Getty Images

A hand-knotted white wig, eyebrows, a mustache and a beard — crafted by wigmaker Diana Choi and hairstylist Carla Farmer — completed the illusion.

Bad Bunny paired the prosthetics with a custom all-black Zara tuxedo of his own design, featuring a walking cane and an oversized bow that nodded to Charles James’ 1947 “Bustle” gown in the Costume Institute’s permanent collection.

The look nodded to the “Aging Body” section of the Met’s “Costume Art” exhibition, which confronts fashion’s tendency to sideline older bodies. “Perhaps reflecting our fear of having to face our own mortality, the youth-oriented fashion industry has traditionally ignored the aged body,” reads the exhibition catalog.

“Fashion ages. But the art within it doesn’t expire,” Bad Bunny told Vogue. “Of course, our bodies might age, but what we carry inside doesn’t, right?”