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Maggie Appleton

The Dark Forest and Generative AI One Developer, Two Dozen Agents, Zero Alignment Gas Town’s Agent Patterns, Design Bottlenecks, and Vibecoding at Scale January 2026 | Maggie Appleton A Treatise on AI Chatbots Undermining the Enlightenment A Brief History & Ethos of the Digital Garden Vibe Code is Legacy Code May 2025 | Maggie Appleton Home-Cooked Software and Barefoot Developers Statistically, When Will My Baby Be Born? Speculative Calendar Events ChatGPT Would be a Decent Policy Advisor March 2025 | Maggie Appleton The Expanding Dark Forest and Generative AI Humanity's Last Exam Squish Meets Structure Common Misconceptions in AI Undetected AI Exam Answers Unbaited Smidgeons Growing a Human: The First 30 Weeks How to Import Academic Papers from Zotero into Tana December 2024 | Maggie Appleton Aesthetic Command Lines with Hyper, Spaceship, and Oh My Zsh Leaving Elicit July 2024 | Maggie Appleton A Short History of Bi-Directional Links The Pattern Language of Project Xanadu Assumed Audiences Ambient Co-presence On Opening Essays, Conference Talks, and Jam Jars Spinning Worlds, Seasickness, and Dealing with Vestibular Neuritis A Collection of Design Engineers Gathering Structures Daily Notes Pages Historical Trails December 2023 | Maggie Appleton September 2023 | Maggie Appleton Digital Gardening for Non-Technical Folks Language Model Sketchbook, or Why I Hate Chatbots June 2023 | Maggie Appleton Computational Notebooks Folk Interfaces Reverse Outlining with Language Models Command K Bars Spatial Web Browsing A Picture Worth a Thousand Programmes Programmable Notes Programming Portals Teenage Skeuomorphic Desktop Designs Tending Evergreen Notes in Roam Research Growing the Evergreens Why You Own an iPad and Still Can't Draw A Brief Introduction to Digital Anthropology Transclusion and Transcopyright Dreams The Block-Paved Path to Structured Data Empty Pointers and Constellations of AI Metaphors We Web By The Gift Economy Epistemic Disclosure November 2022 | Maggie Appleton Joining Ought July 2022 | Maggie Appleton Paleolithic Nostalgia Interoperable Personal Libraries and Ad Hoc Reading Groups The Finest Narrative Non-Fiction Essays Algorithmic Transparency October 2021 | Maggie Appleton Plebeian Programming with Keyboard Maestro The Cultural Anthropology of React August 2021 | Maggie Appleton Natureculture, Moral Purity, and Cultural Boundaries The Echo & Narcissus Writing Club Pink, Soft, Glittering Developers Fetishism & Mechanical Keyboards Making Programming Visual, Spatial, and Learnable Organic, Local, Artisan Data Storage Positioning Elements & Scrollytelling in CSS Painting Roam Research with Custom CSS A Digital Anthropology Reading List The Eponymous Laws of Programming A History of Cyborgs Neologisms GreenSock Animations with React Hooks The Bare Essentials of Greensock September 2020 | Maggie Appleton Illustrating Gatsby's Key Concepts Problematic Proteins New Harvest & Illustrating the Cultivated Meat Podcast Synecdoche: Drawing the Part for the Whole A Meta-Tour of This Site Douglas, Dirt, and Matter Out of Place The Knowledge Hydrant A Naïve Exploration of Computer-Supported Collaborative Learning Silent Synchronous Reading Sessions What the Fork is React Suspense? Visually Workshopping the AWS Cloud Are Data Unions the Future of Data? Pattern Languages in Programming and Interface Design A Metaphorical Reading Collection
The Linear Oppression of Note-taking Apps
www.adhdsystemhub.com · 2022-06-20 · via Maggie Appleton

Every major note-taking app on the market works one way: linearly, in text. Notion , Roam , Evernote , OneNote , Bear , Obsidian . They are all centred around writing text documents that flow from left-to-right, then top-to-bottom; the way all text works in English. Even if they support other languages, you’d still write Arabic or Hebrew or Urdu linearly, just right-to-left.

You might say this is what defines a note; it is a chunk of written text, presented as a small piece of digital paper. It’s pretending to be a real piece of paper, but without many of the features that make real paper useful. Like the ability make marks on it that are not simply words in a straight line.

How it might look if we could draw into our notes without being confined to linear text

How it might look if we could draw into our notes without being confined to linear text

I find it odd that few apps put sincere effort into becoming more paper-like. Most are too busy trying to become more hyper, in the hyper-text sense. They pride themselves on their multi-device compatibility, cloud synchronicity, and API integration automations. None of them question the central organising medium of linear text.

In this linear text-based ideology, images are second-class citizens. Illustrations, diagrams, graphics, photographs, doodles, drawings, and icons are visitors here.

You’re welcome to pop them “inline”, like a pseudo-text element that inconveniently isn’t subscribing to the rules. But you’re going to have to make your images elsewhere. This is a note-taking app, not a drawing app (we have to wonder when those became two separate things). You’ll have to draw somewhere else. Probably on another device. Which you’ll have to buy separately. And yes, it will be prohibitively expensive. Unless you’ve found a way to draw by tapping out lines with your keyboard.

If you’re lucky, your particular note-taking app might let you change the size of this image. Good luck trying to place two images next to each other though. Multi-column layouts and horizontal movement are beyond our current note-taking capacities.

Physical space is our third-class citizen. Your notes are only allowed to move to the right and down. You cannot move left, upwards, diagonally, in front, behind, or past Go.

Unless

you

want

to

get

weird

and

hacky

with the

formatting

You cannot freely drag things around and place them wherever you like. That would make it too much like the real world, where we can place one sticky note to the left of another, place both above a small notecard, arrange these next to a book with sticky notes inside it, and pile it all on top a ripped out page from a notebook covered in haphazard scribbles and doodles, half of them upside-down.

One wonders how we haven’t hung ourselves with this amount of spatial freedom.

So, who is to blame for our linear, textual predicament?

The designers who invented the paper-based desktop metaphor that haunts all modern interface design? The users who behave like blind, inconsiderate drunks when presented with any slightly novel note-taking system? The venture capitalists who exclusively fund these predictable apps? The entire educational system for its incessant focus on textual literacy over spatial and visual literacy?

Surely, Gutenberg has something to answer for.