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Maggie Appleton

The Dark Forest and Generative AI One Developer, Two Dozen Agents, Zero Alignment Gas Town’s Agent Patterns, Design Bottlenecks, and Vibecoding at Scale January 2026 | Maggie Appleton A Treatise on AI Chatbots Undermining the Enlightenment A Brief History & Ethos of the Digital Garden Vibe Code is Legacy Code May 2025 | Maggie Appleton Home-Cooked Software and Barefoot Developers Statistically, When Will My Baby Be Born? Speculative Calendar Events ChatGPT Would be a Decent Policy Advisor March 2025 | Maggie Appleton The Expanding Dark Forest and Generative AI Humanity's Last Exam Squish Meets Structure Common Misconceptions in AI Undetected AI Exam Answers Unbaited Smidgeons Growing a Human: The First 30 Weeks How to Import Academic Papers from Zotero into Tana December 2024 | Maggie Appleton Aesthetic Command Lines with Hyper, Spaceship, and Oh My Zsh Leaving Elicit July 2024 | Maggie Appleton A Short History of Bi-Directional Links The Pattern Language of Project Xanadu Assumed Audiences Ambient Co-presence On Opening Essays, Conference Talks, and Jam Jars Spinning Worlds, Seasickness, and Dealing with Vestibular Neuritis A Collection of Design Engineers Gathering Structures Daily Notes Pages Historical Trails December 2023 | Maggie Appleton Digital Gardening for Non-Technical Folks Language Model Sketchbook, or Why I Hate Chatbots June 2023 | Maggie Appleton Computational Notebooks Folk Interfaces Reverse Outlining with Language Models Command K Bars Spatial Web Browsing A Picture Worth a Thousand Programmes Programmable Notes Programming Portals Teenage Skeuomorphic Desktop Designs Tending Evergreen Notes in Roam Research Growing the Evergreens Why You Own an iPad and Still Can't Draw A Brief Introduction to Digital Anthropology Transclusion and Transcopyright Dreams The Block-Paved Path to Structured Data Empty Pointers and Constellations of AI Metaphors We Web By The Gift Economy Epistemic Disclosure November 2022 | Maggie Appleton Joining Ought July 2022 | Maggie Appleton The Linear Oppression of Note-taking Apps Paleolithic Nostalgia Interoperable Personal Libraries and Ad Hoc Reading Groups The Finest Narrative Non-Fiction Essays Algorithmic Transparency October 2021 | Maggie Appleton Plebeian Programming with Keyboard Maestro The Cultural Anthropology of React August 2021 | Maggie Appleton Natureculture, Moral Purity, and Cultural Boundaries The Echo & Narcissus Writing Club Pink, Soft, Glittering Developers Fetishism & Mechanical Keyboards Making Programming Visual, Spatial, and Learnable Organic, Local, Artisan Data Storage Positioning Elements & Scrollytelling in CSS Painting Roam Research with Custom CSS A Digital Anthropology Reading List The Eponymous Laws of Programming A History of Cyborgs Neologisms GreenSock Animations with React Hooks The Bare Essentials of Greensock September 2020 | Maggie Appleton Illustrating Gatsby's Key Concepts Problematic Proteins New Harvest & Illustrating the Cultivated Meat Podcast Synecdoche: Drawing the Part for the Whole A Meta-Tour of This Site Douglas, Dirt, and Matter Out of Place The Knowledge Hydrant A Naïve Exploration of Computer-Supported Collaborative Learning Silent Synchronous Reading Sessions What the Fork is React Suspense? Visually Workshopping the AWS Cloud Are Data Unions the Future of Data? Pattern Languages in Programming and Interface Design A Metaphorical Reading Collection
September 2023 | Maggie Appleton
2023-09-01 · via Maggie Appleton

September 2023

London flipped from sweltering summer back to drizzling grey yesterday. Autumn was overdue. Summer was a little too manic for my taste anyway. I spent a bunch of time in Maine, New York, and San Fransisco. A mix of long back porch hangouts with family, collaborator coffees, and in-person problem-solving with the Ought team.

But the Ought team are no longer the Ought team. We’ve changed names! And whole companies come to think of it. Ought as a legal entity was a non-profit research lab. But we found it difficult to get enough funding from the charitable space to hire people and grow Elicit , our primary product. Our founders decided to pull the same move as OpenAI and Anthropic and flipped to become a VC-backed startup. The new company is just called Elicit. We raised a seed round and rebuilt the product.

We’re slowly moving our 200,000 active users over to the new beta version. We shipped it while we’re still deeply embarrassed by it. It has a thousand big and small UX cuts that fill me with sadness. Every morning I get on and hack away at them, trusting at some point it will feel beautiful to use.

My work on Elicit and explorations of Language Model interfaces have compounded into some strong opinions. I gathered some of them into a new talk called Squish Meets Structure . I did one round of it for Smashing Meets AI , and then drastically improved it for Smashing Conference in Freiburg, Germany a few weeks ago.

I’m headed to Web Directions in Sydney, Australia and FFConf in Brighton later this year to present my slightly more macabre talk on the Expanding Dark Forest and Generative AI . Expect to be all talked out after that.

Currently taking in writing advice from men named Ste(v/ph)en. Working through Steven Pinker’s “ The Sense of Style ” and Stephen King’s “ On Writing ” – both excellent. The former for grounded advice on non-fiction communication, the latter for an extraordinary account of persistently writing through double-shift minimum wage jobs and a raging alcohol and drug problem.

The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century

On Writing: A Memoir of the Craft

Spent the summer discovering how much I love dresses and jumpsuits with deep pockets. Found some of my favourites from Boden , Ro&Zo , Whistles , and Thought .

I’ve realised I spent the last decade avoiding femme clothing, aesthetics, and mannerisms in an attempt to be taken more seriously in the all-male spaces I hang out in. Spaces where I am routinely treated like a small, insignificant girl, ignored, and spoken over. Feels pretty freeing to give fewer shits and permanently live in dresses. They’ll ignore me either way.