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Maggie Appleton

The Dark Forest and Generative AI One Developer, Two Dozen Agents, Zero Alignment Gas Town’s Agent Patterns, Design Bottlenecks, and Vibecoding at Scale January 2026 | Maggie Appleton A Treatise on AI Chatbots Undermining the Enlightenment A Brief History & Ethos of the Digital Garden Vibe Code is Legacy Code May 2025 | Maggie Appleton Home-Cooked Software and Barefoot Developers Statistically, When Will My Baby Be Born? Speculative Calendar Events ChatGPT Would be a Decent Policy Advisor March 2025 | Maggie Appleton The Expanding Dark Forest and Generative AI Humanity's Last Exam Squish Meets Structure Common Misconceptions in AI Undetected AI Exam Answers Unbaited Smidgeons Growing a Human: The First 30 Weeks How to Import Academic Papers from Zotero into Tana December 2024 | Maggie Appleton Aesthetic Command Lines with Hyper, Spaceship, and Oh My Zsh Leaving Elicit July 2024 | Maggie Appleton A Short History of Bi-Directional Links The Pattern Language of Project Xanadu Assumed Audiences Ambient Co-presence On Opening Essays, Conference Talks, and Jam Jars Spinning Worlds, Seasickness, and Dealing with Vestibular Neuritis A Collection of Design Engineers Gathering Structures Daily Notes Pages Historical Trails December 2023 | Maggie Appleton September 2023 | Maggie Appleton Digital Gardening for Non-Technical Folks Language Model Sketchbook, or Why I Hate Chatbots June 2023 | Maggie Appleton Computational Notebooks Folk Interfaces Reverse Outlining with Language Models Command K Bars Spatial Web Browsing A Picture Worth a Thousand Programmes Programmable Notes Programming Portals Teenage Skeuomorphic Desktop Designs Tending Evergreen Notes in Roam Research Growing the Evergreens Why You Own an iPad and Still Can't Draw A Brief Introduction to Digital Anthropology Transclusion and Transcopyright Dreams The Block-Paved Path to Structured Data Empty Pointers and Constellations of AI Metaphors We Web By The Gift Economy Epistemic Disclosure November 2022 | Maggie Appleton Joining Ought July 2022 | Maggie Appleton The Linear Oppression of Note-taking Apps Paleolithic Nostalgia Interoperable Personal Libraries and Ad Hoc Reading Groups The Finest Narrative Non-Fiction Essays Algorithmic Transparency October 2021 | Maggie Appleton Plebeian Programming with Keyboard Maestro The Cultural Anthropology of React August 2021 | Maggie Appleton Natureculture, Moral Purity, and Cultural Boundaries The Echo & Narcissus Writing Club Pink, Soft, Glittering Developers Fetishism & Mechanical Keyboards Making Programming Visual, Spatial, and Learnable Organic, Local, Artisan Data Storage Positioning Elements & Scrollytelling in CSS Painting Roam Research with Custom CSS A Digital Anthropology Reading List The Eponymous Laws of Programming A History of Cyborgs Neologisms GreenSock Animations with React Hooks The Bare Essentials of Greensock September 2020 | Maggie Appleton Illustrating Gatsby's Key Concepts New Harvest & Illustrating the Cultivated Meat Podcast Synecdoche: Drawing the Part for the Whole A Meta-Tour of This Site Douglas, Dirt, and Matter Out of Place The Knowledge Hydrant A Naïve Exploration of Computer-Supported Collaborative Learning Silent Synchronous Reading Sessions What the Fork is React Suspense? Visually Workshopping the AWS Cloud Are Data Unions the Future of Data? Pattern Languages in Programming and Interface Design A Metaphorical Reading Collection
Problematic Proteins
2020-08-08 · via Maggie Appleton

In 201313ya , in a dutch cellular engineering lab just outside of Utrecht, pharmacologist Mark Post produced a piece of meat without killing an animal. That’s the short version of the story. For the meaty details take a look at my illustrated notes on the book Meat Planet

Meat Planet: The Illustrated Notes

Visualising the cultural narratives around cultured meat This is terribly impressive. But it also splatters a gigantic can of worms across our definition of “meat.” And by extension the entire food pyramid.

What is meat without a dead animal? How is that possible? And why does it make some people internally recoil deep in their gut?

Why do we think ‘lab-grown’ meat is dirty, icky, or dangerous?

As Mary Douglas so poetically put it, “ dirt is matter out of place

Douglas, Dirt, and Matter Out of Place

Mary Douglas defined dirt as matter out of place – the crossing of boundaries .” Anything that breaks our known order of the world that we design is a potential threat.

Food is a structured system - from the bite to the dish to the course to mealtimes to the weekly sunday roast to the monthly fast to the annual festival.

We get obsessive about creating rules, divisions, and norms around food. There are times and places and contexts to eat specific things. Oatmeal doesn’t belong at the evening dinner party. Wine with breakfast is a disease. Combining cabbage with cake would lead to losing a few friends.

New forms of meat are suspect and transgressive because they cross our established boundaries.

Plant-based meats like the Beyond Burger sit in neither the plant nor animal world, appearing as one while made from the other.

Our current food classifications do not have space for them. The division between vegetables and meat is fundamental. Plants vs animals. Fibre vs protein. Inert vs sentient. Green vs red.

Cultured meat, on the other hand, denies a fundamental part of the definition of meat. The dead animal part.

The Great Wall of Nature/Culture

There is an imaginary wall in our minds that divides the world of Nature

Natureculture, Moral Purity, and Cultural Boundaries

Why there is nothing natural about the idea of 'nature' from the world of Culture. We seem to believe these are eternal, inherent categories of things in the world.

Mushrooms are Natural goodness incarnate, and microplastics are a polluting castoff from the Cultural behaviour of humans.

It wasn’t always there. The men of 18th century “Western” rationalist science built it - Francis Bacon, Rene Descartes, and their kin.