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Maggie Appleton

The Dark Forest and Generative AI One Developer, Two Dozen Agents, Zero Alignment Gas Town’s Agent Patterns, Design Bottlenecks, and Vibecoding at Scale January 2026 | Maggie Appleton A Treatise on AI Chatbots Undermining the Enlightenment A Brief History & Ethos of the Digital Garden Vibe Code is Legacy Code May 2025 | Maggie Appleton Home-Cooked Software and Barefoot Developers Statistically, When Will My Baby Be Born? Speculative Calendar Events ChatGPT Would be a Decent Policy Advisor March 2025 | Maggie Appleton The Expanding Dark Forest and Generative AI Humanity's Last Exam Squish Meets Structure Common Misconceptions in AI Undetected AI Exam Answers Unbaited Smidgeons Growing a Human: The First 30 Weeks How to Import Academic Papers from Zotero into Tana December 2024 | Maggie Appleton Aesthetic Command Lines with Hyper, Spaceship, and Oh My Zsh Leaving Elicit July 2024 | Maggie Appleton A Short History of Bi-Directional Links The Pattern Language of Project Xanadu Assumed Audiences Ambient Co-presence On Opening Essays, Conference Talks, and Jam Jars Spinning Worlds, Seasickness, and Dealing with Vestibular Neuritis A Collection of Design Engineers Gathering Structures Daily Notes Pages Historical Trails December 2023 | Maggie Appleton September 2023 | Maggie Appleton Digital Gardening for Non-Technical Folks Language Model Sketchbook, or Why I Hate Chatbots June 2023 | Maggie Appleton Computational Notebooks Folk Interfaces Reverse Outlining with Language Models Command K Bars Spatial Web Browsing A Picture Worth a Thousand Programmes Programmable Notes Programming Portals Teenage Skeuomorphic Desktop Designs Tending Evergreen Notes in Roam Research Growing the Evergreens Why You Own an iPad and Still Can't Draw A Brief Introduction to Digital Anthropology Transclusion and Transcopyright Dreams The Block-Paved Path to Structured Data Empty Pointers and Constellations of AI Metaphors We Web By The Gift Economy Epistemic Disclosure November 2022 | Maggie Appleton Joining Ought July 2022 | Maggie Appleton The Linear Oppression of Note-taking Apps Paleolithic Nostalgia Interoperable Personal Libraries and Ad Hoc Reading Groups The Finest Narrative Non-Fiction Essays Algorithmic Transparency October 2021 | Maggie Appleton Plebeian Programming with Keyboard Maestro The Cultural Anthropology of React August 2021 | Maggie Appleton Natureculture, Moral Purity, and Cultural Boundaries The Echo & Narcissus Writing Club Fetishism & Mechanical Keyboards Making Programming Visual, Spatial, and Learnable Organic, Local, Artisan Data Storage Positioning Elements & Scrollytelling in CSS Painting Roam Research with Custom CSS A Digital Anthropology Reading List The Eponymous Laws of Programming A History of Cyborgs Neologisms GreenSock Animations with React Hooks The Bare Essentials of Greensock September 2020 | Maggie Appleton Illustrating Gatsby's Key Concepts Problematic Proteins New Harvest & Illustrating the Cultivated Meat Podcast Synecdoche: Drawing the Part for the Whole A Meta-Tour of This Site Douglas, Dirt, and Matter Out of Place The Knowledge Hydrant A Naïve Exploration of Computer-Supported Collaborative Learning Silent Synchronous Reading Sessions What the Fork is React Suspense? Visually Workshopping the AWS Cloud Are Data Unions the Future of Data? Pattern Languages in Programming and Interface Design A Metaphorical Reading Collection
Pink, Soft, Glittering Developers
2021-03-13 · via Maggie Appleton

I have been seeing an increasing amount of baby pink on developer Twitter.

In lieu of the hooded figures in dark rooms, boxy hardware, and streams of neon green characters that we traditionally associate with code nerds and computer geeks, there’s been a sudden influx of pastel shades and baby animals.

It’s an aesthetic that feels like walking into a Sailor Moon episode. Bright, sparkling rainbows and unicorns waft by a soft pink backdrop. Everything looks like a puffy, dusted marshmallow.


Git It Gurl designs created by Amy Wibowo

Git It Gurl designs created by Amy Wibowo

Programming zines created by Amy Wibowo

Programming zines created by Amy Wibowo

For lack of a better term, I’m calling this style “femme dev.” To be clear, by femme I don’t mean “for women.” I mean it in the sense of celebrating a traditionally feminine aesthetic.

Sex (man / woman) is not the same thing as gender (male / female). If you’re not familiar with gender theory, Judith Butler is a good introduction.

Feminine and masculine are socially constructed roles, behaviours, activities, and attributes. The way we walk, talk, sit, dress, and decorate our laptops all have the potential to be ‘read’ as either masculine or feminine by those around us. Or somewhere in between. It’s all a big fuzzy spectrum.

Our ideas about what reads as feminine or masculine is fluid and culturally relative. These roles are constantly shifting and changing under our feet. We have only associated the color pink with femininity for the last 100 years Good read by The Atlantic on this - Pink Wasn’t Always Girly
”In the 18th century, it was perfectly masculine for a man to wear a pink silk suit with floral embroidery”
, and it’s reasonable to expect that in 100 years time we’ll once again attach arbitrary color associations to arbitrary gender roles.

But given our current historical moment, it’s fair to say the aesthetic on display here draw on an established history of traditionally feminine visual styles. By no stretch of the imagination does that mean it is designed just for women, or off limits to men.

It simply means it’s made for anyone who enjoys the aesthetics of soft, puffy Kirby plushies and sparkle text.


Amy Wibowo (@sailorhg on Twitter) is one of the folks at the centre of this fuzzy, adorable shift. Their online store bubblesort.io sells zines, keyboard designs, and sweatshirts bring an intentionally femimine vibe to an industry overwhelmingly staffed by self-identifying males. An unsurprising 91.1% male according to 2020’s State of JS survey

Since keyboards are one of the only pieces of ‘kit’ developers use in their jobs (other than 32” tall vertical displays), custom keycaps designs have become a central feature of this movement.

The Astrolokeys set designed by Wibowo and Cassidy Williams is a particularly beautiful example. It’s pink, purple, and yellow keys feature astrological symbols for each of the 12 zodiac signs.

A split, astrology-themed keyboard made up on yellow, pink, and purple custom keys


The aesthetic has also started showing up in the branding choices of dev-focused tools and companies.

Charm is a set of command line tools designed to make the terminal feel “glamorous” – featuring bubble tea, lipgloss, and rainbows.

The charm website featuring pink glow and bubble text

A set of cute 3D characters representing Charm's plug-in ecosystem

Compute Cuter is Amy’s full minisite dedicated to making your computing environment a bt softer. They have fonts, themes, and keycap sets that fit the vibe.

A screenshot of the compute cuter website

Considering the plethora of males in development, the rise of femme aesthetics is perhaps both curious and not.

Coming Soon

Feel free to bug me on Bluesky to finish writing this.