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Maggie Appleton

The Dark Forest and Generative AI One Developer, Two Dozen Agents, Zero Alignment Gas Town’s Agent Patterns, Design Bottlenecks, and Vibecoding at Scale January 2026 | Maggie Appleton A Treatise on AI Chatbots Undermining the Enlightenment A Brief History & Ethos of the Digital Garden Vibe Code is Legacy Code May 2025 | Maggie Appleton Home-Cooked Software and Barefoot Developers Statistically, When Will My Baby Be Born? Speculative Calendar Events ChatGPT Would be a Decent Policy Advisor March 2025 | Maggie Appleton The Expanding Dark Forest and Generative AI Humanity's Last Exam Squish Meets Structure Common Misconceptions in AI Undetected AI Exam Answers Unbaited Smidgeons Growing a Human: The First 30 Weeks How to Import Academic Papers from Zotero into Tana December 2024 | Maggie Appleton Aesthetic Command Lines with Hyper, Spaceship, and Oh My Zsh Leaving Elicit July 2024 | Maggie Appleton A Short History of Bi-Directional Links The Pattern Language of Project Xanadu Assumed Audiences Ambient Co-presence On Opening Essays, Conference Talks, and Jam Jars Spinning Worlds, Seasickness, and Dealing with Vestibular Neuritis A Collection of Design Engineers Gathering Structures Daily Notes Pages Historical Trails December 2023 | Maggie Appleton September 2023 | Maggie Appleton Digital Gardening for Non-Technical Folks Language Model Sketchbook, or Why I Hate Chatbots June 2023 | Maggie Appleton Computational Notebooks Folk Interfaces Reverse Outlining with Language Models Command K Bars Spatial Web Browsing A Picture Worth a Thousand Programmes Programmable Notes Programming Portals Teenage Skeuomorphic Desktop Designs Tending Evergreen Notes in Roam Research Growing the Evergreens Why You Own an iPad and Still Can't Draw A Brief Introduction to Digital Anthropology Transclusion and Transcopyright Dreams The Block-Paved Path to Structured Data Empty Pointers and Constellations of AI Metaphors We Web By The Gift Economy Epistemic Disclosure November 2022 | Maggie Appleton Joining Ought July 2022 | Maggie Appleton The Linear Oppression of Note-taking Apps Paleolithic Nostalgia Interoperable Personal Libraries and Ad Hoc Reading Groups The Finest Narrative Non-Fiction Essays Algorithmic Transparency October 2021 | Maggie Appleton Plebeian Programming with Keyboard Maestro The Cultural Anthropology of React August 2021 | Maggie Appleton The Echo & Narcissus Writing Club Pink, Soft, Glittering Developers Fetishism & Mechanical Keyboards Making Programming Visual, Spatial, and Learnable Organic, Local, Artisan Data Storage Positioning Elements & Scrollytelling in CSS Painting Roam Research with Custom CSS A Digital Anthropology Reading List The Eponymous Laws of Programming A History of Cyborgs Neologisms GreenSock Animations with React Hooks The Bare Essentials of Greensock September 2020 | Maggie Appleton Illustrating Gatsby's Key Concepts Problematic Proteins New Harvest & Illustrating the Cultivated Meat Podcast Synecdoche: Drawing the Part for the Whole A Meta-Tour of This Site Douglas, Dirt, and Matter Out of Place The Knowledge Hydrant A Naïve Exploration of Computer-Supported Collaborative Learning Silent Synchronous Reading Sessions What the Fork is React Suspense? Visually Workshopping the AWS Cloud Are Data Unions the Future of Data? Pattern Languages in Programming and Interface Design A Metaphorical Reading Collection
Natureculture, Moral Purity, and Cultural Boundaries
2021-05-18 · via Maggie Appleton

Nature is flourishing down at my local Sainsbury’s. The mineral water is natural. The unrefined cane sugar is natural. The low-fat Greek style yogurt is natural. The gluten-free buckwheat toasted muesli is natural. The anti-oxidising cranberry, chocolate, and coconut vegan protein bars are natural.

“Natural” has become both a ubiquitous and meaningless label on food packaging. This observation is nothing profound. Hundreds of op-ed authors have lamented the lack of governmental regulation stopping producers from putting “natural,” “free-range,” “wholegrain,” “authentic,” “superfood,” and “organic” on their shiny cereal box of sugar puffs. We have all become comfortably jaded with the empty, hyperbolic language of our food. At least enough to not take it seriously.

But this is not a diatribe about food packaging. The bone I’m picking is not with the label on my chicken, but the chicken’s supposed origin – nature.

At its core, nature defines the world without humans in it. It is everything that the birds, bacteria, forests, fish, and ocean currents do without our input. We consider it distinct and opposed to the expansion pack that humans brought to life; culture. We think of culture as everything humans layer on top of the natural world; the icing on the cosmic cake.

At least, this is one version of the mythological story; the one most of us accept as historical fact. Hominids sprang up in South Africa 80,000 years ago and began carving wooden digging sticks, smearing red ochre on one another, and threading long necklaces made from shards of ostrich eggs. While they were busy decorating, the cosmic fabric split and created a division. The world before the humans, and the world after. At least this is the story we, the humans, tell ourselves.

Coming Soon

Feel free to bug me on Bluesky to finish writing this.