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Miriam Eric Suzanne

Butter bells, fresh from the kiln Butter bells, fresh from the kiln Butter bells, fresh from the kiln I had to look it up I Laser-cut pottery throwing gauge Tech continues to be political Aggregating my distributed self A web component for CodePen embeds? We don Eleventy buckets & cascade layers A slash-why proposal User styles on the web Custom element, two ways New year, same (terrible) Mia CSS @scope Reclaiming my time Cascade Layers Javascript automation on Mac Personal Histories Ancient Web Browsers Critical CSS? Not So Fast! CSS tie-dye gradient backgrounds Personal website redesign Request for Comments: Sass Color Spaces A long-term plan for logical properties? Container queries in browsers! I never let things be small A whole cascade of layers This content won No demo [website] reno 2 days of cordwainery Body margin 8px The gray areas of HWB color Miriam, for the archive Complex vs compound selectors The spam has arrived Am I on the IndieWeb yet? My theatrical delusions A Complete Guide to CSS Cascade Layers Container queries explainer & proposal Very Extremely Practical CSS Art An open CSS notebook Custom Property “Stacks" Alcohol affects the frontal cortex Embracing the Universal Web CSS most normalizer-est Introducing Sass Modules F*CSS Not clear to me, an installation Framed | Born to choose this way Last Bullet, live music video A Dark Plain, live music video Guts | Let Rejecting maleness Chosen family (thank you) Mia Speaking of pride More CSS Charts, with Grid & Custom Properties (Mis)gender Stop Being Productive Fun with Viewport Units Gods on the Lam Body & gender fragments Trans Interviews & Photography Getting Started with CSS Grid Just Like That Adaptation: SideSaddle/Myths Justice [under construction] Some clarifications on trans language Some kind of resistance tour Loops in CSS Preprocessors An Interview with Miriam Suzanne Estrogentrification Miriam, a how-to guide Holes / SideSaddle midwest tour Underground music showcase Species of the stars PROPHETIA VETITUM MUNDI Pig Sez, song demo I UMS day 4 (the end) UMS day 3 A Dark Plain, song demo UMS day 2 UMS day 1 Media Archeology Lab, Artist in Residence Stratified design (re)Thinking on your feet Five(5), song demo Poetry readings are terrible Get curious The Posture of Contour Starting from a seed Portrait of Sondra & Dan Creative modes and cycles Ordinary tools of thought Portrait of Kitten Karlyle (nsfw) Fuck the muse Susy 1.0 release
Explosive growth
2013-02-14 · via Miriam Eric Suzanne

It’s always useful to remember where you are in the overall creative process. Here’s a refresher:

  1. Define: What’s the idea, question, or hypothesis?
  2. Explore: Reasearch, gather, and create the materials.
  3. Organize: Outline the structure, or impose one.
  4. Draft: Compile a complete first draft.
  5. Revise: Consider, critique, and edit as needed.

We’re still following up on Step 2, which we started last week by compiling our curiosity shopping lists. We need to push out from our seed in every direction, and the list is there to help guide us.

Now it’s time to go shopping.

Surround Yourself with Material

A room full of old junk
It's time to get your hoarding on

The goal of this phase is to collect all the material you might possibly need to create your piece. It doesn’t matter what genre or medium you will use at the end, right now you want everything. You are building your shitty pile of shit that will get organized into a draft down the road.

Get your facts first, and then you can distort them as much as you please.

—Mark Twain

You need to fill your head (and your notebook) with possibilities. You need to start understanding the world you are creating — not by thinking about it, but by surrounding yourself with it. Your creative mind works by copying, transforming, & combining — so the more ideas you put into your head, the more you can get out when it’s time.

Research » Steal » Create

The first instinct of most artists is to sit down with a blank paper and stare at it until the muse strikes. Fuck the muse. Start with material that already exists. Use your shopping list as a guide and follow your curiosity. Explore your list of “things that will inspire you” — use Wikipedia and Google to follow one hyperlinked thought to the next, and add more inspirations to your list.

When you read/see/hear something you like, take it. Clip it out of an article, take a photo, make a playlist, or just take notes. When ideas start to merge and you are inspired to say something, then say it.

Some printed pages cut up, and a scissors
Cut it up. You can put it back together later

Ebb and flow with the cycles of research, theft, and creation. Let your inspiration drive you back and forth between exploring what’s there, and creating what isn’t. If research isn’t working, make shit up. If you can’t think of anything to make, find something to steal.

For Example

Following up on my list from last week, I spent time reading about Hermaphroditus & Mother Clapp. I started to see patterns around social gatherings, betrayal, and water. I copied and pasted large sections of pro-anorexia websites, wrote down important lines from Lou Reed songs, and wrote about my own memories of body and sexual experience. I even pulled from old email conversations that seemed relevant.

I used NaNoWriMo to get through this phase with a massive pile of 50,000 shitty words, along with a number of images and songs. Some are stolen, and some are my own, but all of them will be useful when I come back to start drafting.

Checking it Twice

Look back at your list. focus on researching the “things that will inspire you,” and stealing or creating the “things that need to be gathered” so you can cross them off your list. Add to the list if you realize something is missing, but focus on exploring each item in extreme detail, and following where it takes you.

There are several interesting tools you can use to help push you along when you get stuck — both as a solo artist and in collaborative settings. I’ll go into more detail on some of those next week.