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MONOVISIONS – Black & White Photography Magazine

France in the Time of Manet and Morisot | MONOVISIONS - Black & White Photography Magazine Vintage: Historic B&W Photos of Victorian-Era Canterbury and Carlisle | MONOVISIONS - Black & White Photography Magazine Emma Hartvig: Masks & Myths | MONOVISIONS - Black & White Photography Magazine Vintage: The Channel Islands in Victorian England | MONOVISIONS - Black & White Photography Magazine Michael Kenna: Confessionali | MONOVISIONS - Black & White Photography Magazine Meryl Meisler: Queer-Friendly Nightlife Now | MONOVISIONS - Black & White Photography Magazine Interview with Philip Shaheen | MONOVISIONS - Black & White Photography Magazine New York City Never Sleeps | MONOVISIONS - Black & White Photography Magazine Vintage: Victorian Life in Scarborough: A Seaside Town in Its Prime | MONOVISIONS - Black & White Photography Magazine Diane Arbus: Sanctum Sanctorum | MONOVISIONS - Black & White Photography Magazine Helmut Newton x Steven Klein | MONOVISIONS - Black & White Photography Magazine Vintage: Historic B&W Photos of Victorian-era Bridlington, England | MONOVISIONS - Black & White Photography Magazine Philippe Halsman: Portraits | MONOVISIONS - Black & White Photography Magazine Brassaï: Secret Paris | MONOVISIONS - Black & White Photography Magazine Fragmentary Glimpses: Alfred Stieglitz and David Vestal in New York | MONOVISIONS - Black & White Photography Magazine Vintage: Historic B&W Photos of Victorian-Era Bournemouth, England | MONOVISIONS - Black & White Photography Magazine Vintage: Historic B&W Photos of Victorian-era York, England | MONOVISIONS - Black & White Photography Magazine Photography´s New Vision: Experiments in Seeing | MONOVISIONS - Black & White Photography Magazine Star Power: Photographs from Hollywood’s Golden Age by George Hurrell | MONOVISIONS - Black & White Photography Magazine Nouvelle Vague French Photography from the 1950s and 1960s | MONOVISIONS - Black & White Photography Magazine The Poetry of Everyday Life Master Photographers of the French Humanist Movement | MONOVISIONS - Black & White Photography Magazine Stephen Shore: Early Works | MONOVISIONS - Black & White Photography Magazine
Lynn Adler: And So We Moved To Petaca | MONOVISIONS - Black & White Photography Magazine
xxxxxxx · 2026-05-30 · via MONOVISIONS – Black & White Photography Magazine

MonoVisions Black & White Photo Contest 2026

Obscura Gallery is thrilled to present an exhibition and book signing for And So We Moved To Petaca: Portrait of a New Mexico Community, with photographs by Lynn Adler and curated by Bill Shapiro. The exhibition and recent book publication (University of New Mexico Press, 2026) is a sublime photographic chronicle of the efforts of several counterculture families to adopt a traditional Nuevomexicano life in the tiny village of Petaca, New Mexico, in the early 1970s.

In the early 1970s, history tells us, there weren’t many women photographers and fewer still who were recognized for using their camera to make ethnographic studies. Lynn Adler was a self-taught photographer using an old 35 mm camera her mother had left to her. But her instinct for seeing the collision of cultures, along with her savant’s eye for constructing beautiful frames, allowed her to capture a moment both rare and spectacular in a tiny village in Northern New Mexico called Petaca.

At the time, Petaca was home to about fifty very traditional Hispano families with roots in the area going back well over a hundred years. The town had no schools, no hospital, no stoplights; it had one church, one bar, one dry-goods store, and a single gas pump. Spanish was nearly everyone’s first language, and the only real employment had been a mineral mill, shut down in the 1950s. Most families got by as subsistence farmers. These families were joined by people who had left San Francisco and New York City, seeking a more rooted life. It was while visiting friends who’d moved to Petaca that Lynn Adler made these photographs between 1970 and 1974.

Lynn’s intimately sized black-and-white photographs show her Anglo friends deep in the hard work of homesteading and raising families; they show the local people tending the crops and looking after their animals; and they show when members of both groups came together.

It has been half a century since Adler last looked through her viewfinder at Petaca. The children who ran through her pictures are now deep into middle age, and the older people are gone. If not for these photographs, this fleeting moment would have been lost to time, and this story of community and conflict would never have been seen.

Documentary photographer and filmmaker Lynn Adler is a founder of Optic Nerve, a San Francisco–based film and photography collective, and Ideas in Motion. She has made community-based documentaries and videos around the world and acted as producer and archivist for many PBS films on NOVA, American Experience, POV, and American Masters. Her work has also appeared on HBO. While much of her career centered around film, her still photography has remained a constant over the decades.

Bill Shapiro is a former editor in chief of LIFE magazine and the founder of BluePhoto.co.

Lynn Adler
And So We Moved To Petaca
8 May – 6 June, 2026

Obscura Gallery
225 Delgado St.
Santa Fe, NM 87501
https://obscuragallery.net

LYNN ADLER. Louella at Sundown, 1971

LYNN ADLER. Louella at Sundown, 1971

LYNN ADLER. Outside the bar, 1972

LYNN ADLER. Outside the bar, 1972

LYNN ADLER. 50th wedding anniversary, 1972

LYNN ADLER. 50th wedding anniversary, 1972

LYNN ADLER. A slow smoke, 1973

LYNN ADLER. A slow smoke, 1973

LYNN ADLER. Under the Petaca sun, 1972

LYNN ADLER. Under the Petaca sun, 1972

LYNN ADLER. In Senovia’s room, 1971

LYNN ADLER. In Senovia’s room, 1971

MonoVisions Black & White Photo Contest 2026