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The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
‘Toy Story 5’ Headed to $160M Biggest Opening of 2026
Aaron Couch · 2026-06-21 · via The Hollywood Reporter

Disney and Pixar are unwrapping a major box office gift with Toy Story 5, which is headed toward the biggest opening of the year so far in the $160 million range. That’s after the film notched the second biggest opening day of all time for an animated feature with $71 million, just behind The Incredibles 2‘s $72.2 million in 2018.

Audiences gave the film an A CinemaScore and are pacing ahead of 2019’s Toy Story 4, which bowed to $120.9 million in June. Toy Story veteran Andrew Stanton directs, with Kenna Harris co-directing.

Steven Spielberg and Universal’s original sci-fi feature Disclosure Day is falling 69 percent and is expected to earn around $17 million in its second weekend after opening to $44 million. Its domestic tally will end the weekend with about $78 million.

In its sixth weekend, Focus Features’ box office sensation Obsession will finally post a weekend smaller than its opening of $17.2 million, and is expected to pull in around $14 million for a domestic total of around $215 million. It long ago became Focus’ No. 1 movie of all time both domestically and globally, where it has passed $300 million.

New entries include Neon horror feature Leviticus. The well-regarded Sundance horror title is looking to bring in around $3 million, while Hugh Jackman starrer The Death of Robin Hood is eying around $2.5 million. Pig and A Quiet Place: Day One filmmaker Michael Sarnoski is behind the project, which tells the story of Robin Hood’s later days.

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