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Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57 Charlize Theron Jabs at Timothée Chalamet’s Ballet, Opera Remarks: “AI Is Going to Be Able to Do His Job in 10 Years” Andrew Lloyd Webber Says He’s a Recovering Alcoholic Nathalie Baye, French Actress Known for ‘Downton Abbey’ and ‘Catch Me If You Can,’ Dies at 77 She Broke Barriers as a Production CEO in the Middle East. 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Meryl Streep Doubled Her Salary Ask for First ‘Devil Wears Prada’ Movie: “Took Me This Long to Understand I Could Do That”
Jackie Strau · 2026-04-30 · via The Hollywood Reporter

The first Devil Wears Prada was a bonafide hit after it released in 2006. Meryl Streep knew that it would be, which is why she doubled her salary ask when she was first offered the part of the now-iconic Miranda Priestly.

Now 20 years later, Streep revealed that bold (but worthy) negotiation move when speaking about Devil Wears Prada 2 with her sequel co-stars Anne Hathaway, Emily Blunt and Stanley Tucci.

“I read the script [for the original], the script was great. They called me up and they made an offer, and I said, ‘No, not going to do it,'” Streep said during a Wednesday cast interview with Today. “I knew it was going to be a hit, and I wanted to see if I doubled my ask… And they went right away and said, ‘Sure.’ I thought, I’m 50-60 [years old] — it took me this long to understand that I could do that! They needed me, I felt. I was ready to retire. That was a lesson.”

The original movie earned more than $325 million globally at the box office, and praise poured in for the cast. Streep won a Golden Globe and was Oscar nominated for her role as the icy editor-in-chief of top fictional fashion magazine Runway (inspired by Vogue‘s editor-in-chiief Anna Wintour). Conversations behind the scenes about a sequel began as early as 2009.

“They started talking about a sequel, but we all waited until we had that good idea,” Streep said. “I think we all had to do it as well — you got to have all four of us come back,” added Blunt, who plays Emily Charlton, the first assistant to Miranda in the original. “There were mutterings and rumblings for years.”

“Lots of ideas,” Streep continues. “But it’s almost like the world had to shift in that way for Aline [Brosh McKenna] … to get a new idea that made sense. These people had to confront what’s going on in the world of journalism and publishing and politics. Everything has kind of flipped. And that’s cool, that that had a story embedded in it.”

So came the great idea that sparked Devil Wears Prada 2, which releases in theaters this weekend 20 years later. All four of the stars reprise their roles. But things have certainly changed. The hook of the sequel is that Hathaway’s character, Andrea “Andy” Sachs — the former second assistant to Miranda — returns to Runway amid a changing era for media and journalism.

“AI and technology has changed, not just the physical thing, but journalism itself, which is how obviously the movie starts,” says Tucci, who plays Nigel Kipling, Miranda’s right-hand editor.

“Everybody in their lives has had to surf the new reality and figure out how to survive, how to keep their scruples intact, how to keep their conscience awake and alive,” says Streep about reuniting with these characters in a time of great uncertainty for the industry. “[All the characters do] it in a different way and there are lots of compromises people make, and yet together, it’s kind of triumphant in the end.”

Hathaway says she was sold on the sequel once she read the screenplay by Aline Brosh McKenna, who also wrote the 2006 original. McKenna in her script described the Andy of today by saying that “20 years has not done anything to dim her heart or smarts.”

“Aline McKenna cracked it, and she found a reason why we should make it beyond just nostalgia, beyond just giving people what they want,” Hathaway says. “She found something new and more to say with these characters, and so I felt like that actually took a lot of the pressure off. Then it was just back to what we do every time.”

In her conversations with McKenna and director David Frankel, Hathaway and the pair spoke about Andy being less wide-eyed in the sequel. But “she’s not become cynical, which is one of my favorite things about her. She really sees the best in situations, the best in people,” adds Hathaway.

She says that Andy stands by her choice to walk away from Runway at the end of the first film. “She knew it was the right choice for her. It hasn’t been easy. It hasn’t delivered some of the material success that maybe other people her age have. But she’s had a blast being herself, and now she’s looking for something else. I think she’s looking for some stability,” she adds.

When filming the sequel, Streep says she was able to spend more time with the cast this time around. She took a more method approach with the original, and kept her distance so as to keep up the right amount of mystery (and fear) around Miranda. This time, however, “we come in (and) Miranda is more discombobulated,” Streep says.

Blunt, meanwhile, says her Emily has not softened with time, and delights in playing someone “who is in a constant state of outrage.

“There will be some sort of undoing that has to happen for all of them. But I adore playing her. I think that she’s a complete lunatic, clearly. But I find her sort of delicious and fun. I think it’s like now, she’s sort of even more insane because she has power,” she adds of Emily, who is now an executive at fashion house Dior.

Streep, however, still remains wide-eyed at the love for the franchise.

“Everybody has their origin story (of) when they saw it,” she says of the first movie. “It’s very gratifying, but it’s also kind of mystifying.”