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The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
A24 Wins Bidding War for ‘Club Kid’
Scott Roxbor · 2026-05-18 · via The Hollywood Reporter

A24 has won the bidding war for Cannes’ hottest film, snatching up global rights to Jordan Firstman’s Club Kid.

A24 outbid virtually every other major indie and studio distributor, including Focus Features, Searchlight, Netflix, and Mubi to secure the film, a broad but touching family comedy set in the New York club scene.

Firstman wrote and directed Club Kid in his feature debut and stars alongside Cara Delevigne, Diego Calva and newcomer Reggie Absolom. The film premiered in Cannes Un Certain Regard section last week to rave reviews and buyers quickly started circling.

Firstman plays a washed-up party promoter who has spent a decade on the dance floors and the darkrooms, just doing the minimum to get by. He is forced to turn his life around when the son he never knew he had — the consequence of a messy threesome 10 years ago — arrives at his doorstep.

Financial details of the deal were not disclosed but the offer is believed to have hit eight figures after studios showed interest and A24 moved to take rights for the whole world. A24 will still have to sell the film on to international buyers outside its network of established international distribution deals, which include the likes of Leonine in Germany and Austria, and Nordisk Film in Scandinavia.

Oscar winner Alex Coco (Anora) and Galen Core (Lurker) produced Club Kid, alongside Topic Studio’s Ryan Heller (A Real Pain, Splitsville) and Michael Bloom. Topic Studios also financed the film with Stay Gold as co-financier. Firstman also serves as an executive producer alongside Ian Stratford, Charles Croft and Jasmine Daghighian for Topic, Olmo Schnabel, and Daniela Taplin for Stay Gold.

UTA Independent Film Group negotiated the deal on behalf of the filmmaking team. Charades International helped launch the film in Cannes.

Firstman is represented by UTA, Black Bear, The Lede Company and Frankfurt Kurnit Klein & Selz. Delevingne is repped by UTA, Brillstein Entertainment Partners and Sloane, Offer, Weber & Dean, while Calva is with WME, Entertainment 360, Lumina Management, Narrative, and Hirsch Wallerstein Hayum Matlof and Fishman. Absolom is represented by Mark Jermin Management, and Isgandarov by Elevate Entertainment and Bloch Law. Coco is represented by Dissident, CAA and Lichter, Grossman, Nichols, Feldman, Rogal, Shikora & Clark. Core is represented by UTA.