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The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
Netflix Doubles Down on Vertical Video on Mobile, Launche...
Alex Weprin · 2026-04-30 · via The Hollywood Reporter

Netflix is doubling down on vertical video, launching an entirely new feature on mobile phones called “Clips” that is meant to drive both engagement and discovery for its users.

Vertical video is not new to Netflix. It launched Previews in 2018, and then Fast Laughs in 2021, but Clips is a significant expansion of that concept, encompassing all genres and with a heavy focus on personalization, more akin to TikTok or YouTube Shorts than what came before.

At launch it will include clips from Netflix’s library and some new programming, with a regular cadence of clips expected to be added on a regular basis. Eventually clips from podcasts and live events will be added to the Clips feature as well. There will also be themed collections based on genres and formats.

The personalized algorithm means that two users who enjoyed the same film or show could end up seeing very different clips.

Of course, Netflix isn’t TikTok, and it isn’t trying to be. The goal with Clips is ultimately to get people to watch a film or TV show on Netflix, most likely on their TV screen. But with people choosing to watch vertical videos on their phones while on the go, Netflix needs to scratch that itch too.

And because it’s Netflix, you know that they won’t stop anytime soon, there will always be more to come.

“Mobile is an important part of how Netflix members stay connected to the entertainment they love. With our enhanced navigation and Clips, our new vertical video feed, we’re building on past learnings to deliver an experience designed for the way members want to enjoy Netflix on their phones: for the moments in between, to discover a new title, or a quick laugh,” said Elizabeth Stone, Netflix’s chief product and technology officer. “Our vision is to make our mobile experience as entertaining as what you watch, delivering increasingly personalized, immersive experiences for any mood or moment. This is just the beginning.”

Vertical video has become a top priority for premium streamers, cognizant of the rapid growth of platforms like Reels and TikTok. Disney+ launched vertical video on its platform last month (they call them “Verts”), and left the door open to possibly adding genre creator content down the line.

And Peacock is launching live vertical video NBA and sports coverage, and bringing on an AI avatar of Andy Cohen to guide Bravo viewers through the tribulations of that brand’s shows.