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The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
Cannes Lions CEO Reveals What Keeps Him Up at Night
Scott Roxborough · 2026-06-20 · via The Hollywood Reporter

Cannes Lions returns at a moment of profound uncertainty — and opportunity — for the global marketing business. Artificial intelligence has moved from theoretical disruption to everyday reality, sparking fierce debate over the future of creative work, while the rise of online creators continues to reshape how brands connect with audiences. More than 500 speakers from across advertising, technology, entertainment and media will participate, including such headline names as uber-producer Jerry Bruckheimer, Traitors host Alan Cumming, Indian star Priyanka Chopra Jonas, actress-creator Hannah Stocking, fashion designer Stella McCartney and “Queen of All Media” Oprah Winfrey, who will receive Cannes Lions’ LionHeart Award in recognition of her decades-long influence on culture and social change. Among the tech and ad C-suite honchos set to attend are Apple senior vp Eddy Cue, Instagram chief Adam Mosseri, P&G chief brand officer Marc Pritchard and Unilever global marketing officer Leandro Barreto.

Cannes Lions CEO Simon Cook spoke to THR ahead of this year’s event about the challenge in harnessing AI as “an enhancer for creativity rather than a negative force,” how online creators are transforming the ad business and why Oprah embodies the Lions’ spirit.

You’ve been CEO of Cannes Lions since 2019. How has the creative industry changed in that time?

If we take it back to the pandemic, what we saw was a lot of businesses accelerate their plans and strategies, and we saw genuine innovation and creativity coming out of it. If we fast-forward to now, the industry is grappling with disruption to its ecosystem, economic uncertainty and global instability, which has created intensified focus on creative investment returns. We’re witnessing an industry evolving at an unprecedented pace. CMOs are navigating more complexity and scrutiny than ever before, with expectations to drive immediate results while building brands that endure.

AI looks set to dominate the conversation in Cannes this year. What do you see as the industry’s biggest concerns?

AI continues to rise as a force in our industry, but how we harness it as a tool to enhance human-led creativity will be critical. AI is playing a part in the creative process, but I think ultimately it will reach a place where it will become an enhancer for creativity rather than a negative force. As an example, we’ve introduced AI Craft subcategories across the craft-led Lions to recognize work where human creativity and artificial intelligence come together to create ideas that neither could achieve alone. The focus here is on recognizing genuine craft, artistry and intent, where AI works in service of the idea.

What current industry trend would you most like to see disappear?

It’s not so much of a trend as a phase, but we’re currently in a world defined by mediocrity at scale, and the acceleration of sameness. As AI continues to become a powerful force, with highly personalized, highly targeted messaging, we need to be wary of diluting distinctiveness, meaning, emotional relevance and stories that cut through.

What keeps you up at night?

A preoccupation with the new. It’s a transient, trend-specific industry, and we tend to fixate on the shiny new thing rather than the fundamentals that have served us for many years. The key is striking the right balance — embracing the new and fusing it with practices and principles which still underpin the effectiveness of our craft.

And what excites you most?

The opportunity for new talent to shape and evolve the future of our industry is incredibly exciting. I always look forward to meeting our Young Lions, students and the next generation of leaders attending the Cannes Lions School for exactly that reason.

This story appeared in the June 16 issue of The Hollywood Reporter magazine. Click here to subscribe.