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The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
Andrew Garfield’s ‘The Uprising’ From P...
Ryan Gajewski · 2026-04-23 · via The Hollywood Reporter

Andrew Garfield is ready to lead the revolution this fall in a forthcoming historical drama from Paul Greengrass.

Focus Features announced Wednesday that The Uprising is set to hit theaters domestically on Sept. 11. Jamie Bell, Stephen Dillane, Tom Hollander, Cosmo Jarvis, Thomasin McKenzie, Jonny Lee Miller, Woody Norman and Katherine Waterston round out the cast.

The Uprising centers on the untold story of a rebellion against tyrannical King Richard II. Garfield stars as the leader of the rebellion that pits an army of commoners against the Crown in a battle for equity and survival.

Greengrass, whose recent features include The Lost Bus and News of the World, helmed the film from his own script. He produces alongside Gregory Goodman and Joanna Kaye. Also producing are Jason Blum for Blumhouse, Lars Sylvest for Thank You Pictures and Joe Neurauter for Supernix.

Garfield can soon be seen in Apple TV’s series Wild Things about magician duo Siegfried & Roy, with Garfield portraying Roy Horn opposite Jude Law’s Siegfried Fischbacher. He is also set to play OpenAI CEO Sam Altman in Luca Guadagnino’s movie Artificial for Amazon MGM Studios. Among Garfield’s other recent feature credits are The Magic Faraway Tree, After the Hunt and We Live in Time.

Other forthcoming projects from Focus include Robert Eggers’ Werwulf, hitting theaters on Christmas. Also on the horizon are Curry Barker’s horror title Obsession, Georgia Oakley’s new take on Jane Austen’s Sense and Sensibility, Anthony Maras’ World War II-focused Pressure and Hayley Kiyoko debut Girls Like Girls.

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