惯性聚合 高效追踪和阅读你感兴趣的博客、新闻、科技资讯
阅读原文 在惯性聚合中打开

推荐订阅源

腾讯CDC
OSCHINA 社区最新新闻
OSCHINA 社区最新新闻
博客园 - 叶小钗
人人都是产品经理
人人都是产品经理
博客园 - 聂微东
The Cloudflare Blog
爱范儿
爱范儿
阮一峰的网络日志
阮一峰的网络日志
WordPress大学
WordPress大学
小众软件
小众软件
博客园 - 三生石上(FineUI控件)
Last Week in AI
Last Week in AI
Jina AI
Jina AI
V
V2EX
罗磊的独立博客
V
Visual Studio Blog
A
About on SuperTechFans
IT之家
IT之家
P
Proofpoint News Feed
B
Blog
博客园 - Franky
Blog — PlanetScale
Blog — PlanetScale
Google DeepMind News
Google DeepMind News
Y
Y Combinator Blog

The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
Is Film and TV Production in Los Angeles Starting to Turn...
Winston Cho · 2026-04-29 · via The Hollywood Reporter

Los Angeles is starting to see the impact of California’s expansion to its film and TV subsidy program, with production in the region trending upwards.

After filming levels hit a new nadir last year, L.A. saw a roughly 10 percent increase in shoot days to start 2026 compared to the three month period from October to December, according to the latest report from permitting office FilmLA. Features saw a major uptick in production, logging a 52 percent year-over-year increase. Nearly a quarter of all filming in the category came from titles receiving tax credits to shoot in the state.

Still, production levels trail historic norms. Shoot days in the first quarter (5,121) are nearly 30 percent below the five-year average. At the current rate of filming, L.A. would see the lowest filming levels observed by the film office outside of last year. The figures show an escalating slide in production over the last decade, with shooting in the region sharply plummeting in 2023 after Hollywood’s historic dual strikes that immediately followed belt-tightening by studios as they pivoted toward profitability of their streaming businesses.

As shooting in L.A. declined, California last year passed major revisions to its film and TV tax credit program, which is seeing a surge of applications from productions looking for subsidies. The very first of the titles selected to receive incentives after those changes were made are now filming, with those projects accounting for nearly seven percent of all shoot days in L.A. They make up 22 percent and 17 percent of all feature and TV production respectively.

In a statement, L.A. mayor Karen Bass said, “Hollywood is finally turning a corner with more productions and more jobs.”

The economics of shooting in California, and specifically L.A., are tricky. It’s not any one thing. Other regions have more generous subsidies — many of which give projects tax credits for A-list talent — on top of allowing productions to save a significant chunk on labor costs. It’s among the reasons why features have been fleeing the state for other countries, primarily the U.K. where workers are generally paid less and studios don’t have to cover health insurance, for years.

But in what may emerge as a new trend in regional production, features saw a major uptick in filming levels. The category logged a more than 20 percent increase over the five-year average with 687 shoot days. Roughly 22 percent of all shooting went to state incentivized titles, including Behemoth! (Searchlight Pictures), One Attempt Remaining (Netflix) and Nightwatching (Amazon MGM Studios).

TV — long an anchor of production in the region — fared much worse, recording a 28 percent quarter-over-quarter decrease. Even more alarming: shoot days (1,196) trail the five-year average by more than 60 percent. Filming for reality TV continues to plummet, with the category down 52 percent compared to the three month period from October to December. The trend can potentially be attributed to those shows shooting elsewhere and an overall contraction of unscripted content, which saw premieres in the U.S. decrease by a third since 2022, according to a study by research group Luminate.

“While it’s still too early to make predictions for the coming months, the increase in Shoot Days we are seeing in key categories gives hope for a broader rise in production activity and points to the California Film and Television Tax Program’s growing impact on local job creation,” said FilmLA CEO, Denise Gutches.