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The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57 Charlize Theron Jabs at Timothée Chalamet’s Ballet, Opera Remarks: “AI Is Going to Be Able to Do His Job in 10 Years” Andrew Lloyd Webber Says He’s a Recovering Alcoholic Nathalie Baye, French Actress Known for ‘Downton Abbey’ and ‘Catch Me If You Can,’ Dies at 77 She Broke Barriers as a Production CEO in the Middle East. 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Production Crisis Now Mayoral Race Flashpoint Horror Highlights from the 2026 Overlook Film Festival Why Sundance Winner ‘Ricky’ Is Self-Distributing: “We Refuse for You Not to See It” Meet a Hollywood Advocate for Animal Welfare Brandi Rhodes, Wife of WWE Champion Cody Rhodes, Is Getting a New Reality Show (Exclusive) Hollywood Winners & Losers: CinemaCon Edition — Marvel Soars, DC Slips Jill Biden Tried to Win a Role on ‘Heated Rivalry’ — But She Was Outbid Online Personalities and Comedians Overtake TV and Newspapers as Primary News Sources Tyrese Haliburton Launches Production Company, Signs Multiyear Development Deal With Wheelhouse (Exclusive) Why the New ‘American Gladiators’ Doubled Down on Pro Wrestlers Hulu Nabs Four More Video Podcasts As Licensing Heats Up (Exclusive) ‘Humboldt USA’ Explores How Our Relationship With Nature Has Changed Through the Prism of a German Proto-Environmentalist ‘Heat’ Is a Doc That Asks Who We Become When Being in Our Own Skin Is Unbearable (Exclusive VdR Trailer and Chat) ‘Perfect Crown’ Scores Disney+’s Biggest K-Drama Debut to Date Ben Stiller Reveals He Didn’t Love All the ‘Meet the Parents’ Sequels ‘American Pie’ Star Shannon Elizabeth Says She Joined OnlyFans After Hollywood “Controlled the Narrative” of Her Career How ‘Hacks’ Finally Killed Its Central Feud Pam Abdy and Sandra Bullock Talk Paramount-Warners Deal and ‘Practical Magic 2’ ‘The Pitt’ Boss Says Noah Wyle’s Season 2 Storyline “Shows What Can Happen if You Don’t Take the Time to Resolve Mental Health Issues” Lynette Howell Taylor, Sara Murphy and Nastasya Popov to Discuss Power at Archer Film Festival The Best HBO Max Deals and Free Trial Hacks to Watch ‘Euphoria,’ ‘The Pitt’ and More Singer D4vd Arrested for Murder of Teen in Los Angeles, Police Say ‘Street Fighter’ Movie Trailer Brings the Pain — and the Camp Why CBS Remains Bullish on First-Run Syndicated Shows Pete Hegseth Reads Tarantino’s Fake Bible Quote From ‘Pulp Fiction’ at Prayer Service Tribeca Festival 2026 Lineup: Katie Holmes-Joshua Jackson Reunion Movie ‘Happy Hours,’ Films With Susan Sarandon, Dustin Hoffman, Quentin Tarantino Brian Williams Returns: Former NBC News and MSNBC Anchor Launching Netflix Podcast USC Has Just Launched an AI “Institute” for Actors For ‘The Roots of Madness,’ a Filmmaker Traveled to Conflict Zones to Explore Why So Many People Become Refugees ‘Lee Cronin’s The Mummy’ Review: Jack Reynor and Laia Costa Grapple With Ancient Evil and Grand Guignol Gore in Visceral Family Nightmare Juilliard Names Interim Drama School Leadership Team, Including Laura Linney Jamie Dornan Gets Puffy for Moncler by Eating Popsicle and Blowing Piece of Bubble Gum Carey Mulligan on Going Ballistic in ‘Beef’ Kit Connor, Taika Waititi to Voice Animated ‘Charlie vs. the Chocolate Factory,’ Netflix Drops First Look Roku Hits 100 Million Streaming Households Worldwide Behind the Hacker Leak of ‘Legend of Aang: The Last Airbender’ Nicholas Hoult Leads a Crew of Criminal YouTubers in First ‘How to Rob a Bank’ Footage Anne Hathaway and Dakota Johnson Face Off in First ‘Verity’ Trailer ‘Four Minus Three,’ Film About Family, Tears, Clowns and Hope That Won a Berlin Award, Sells to France, Canada, Australia Mel Brooks Unveils Title to ‘Spaceballs’ Sequel James Bond Casting Process Teased by Amazon MGM: “A Responsibility We Don’t Take Lightly” Jason Statham Unleashes ‘The Beekeeper 2’ Footage on CinemaCon “All Hail the Queen”: Donna Langley’s Power on Full Display as Snoop Dogg, Christopher Nolan, Steven Spielberg Bet on Universal ‘Masters of the Universe’: Camila Mendes Saves Nicholas Galitzine’s Life in New Footage Michael B. 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Masha Gets a New Family: How Animaccord Is Expanding Its 235 Billion-View Franchise
Mathew Scott · 2026-06-16 · via The Hollywood Reporter

The creative minds at Animaccord faced a challenge most animation studios would envy: Where do you take a character who has racked up 235 billion views on YouTube?

The answer, it turns out, is somewhere entirely new — and that’s what has fans of the plucky, adventurous Masha buzzing ahead of the release of Masha and the Three Bears. The new series will be showcased at the Annecy Animation Festival (which runs June 21-27), with its first trailer expected to debut ahead of MIPCOM and Brand Licensing Europe in the fall. A global rollout is planned for the second half of 2027, introducing audiences to three new characters — Senior Bear, Middle Bear and Junior Bear — and a narrative arc built around the universal themes of parenting and family.

“We spent a long time thinking about what story we wanted to tell next,” says Magdalena Weremiuk, chief commercial officer at Animaccord, which is based in Cyprus. “One thing we knew was that we had a strong foundation in reimagining folklore for modern families. That naturally led us to the classic story of Goldilocks and the Three Bears and, admittedly, we have always had a special affinity for stories about bears.”

The Masha character has her roots in folklore, but the new production also draws on popular culture. “One of our references was Three Men and a Baby, which inspired the dynamic of multiple caregivers looking after a child,” says Weremiuk. “We combined that concept with the traditional fairy tale and then developed distinct personalities for each bear. To build the comedy, we also looked at iconic father figures from film, including Les Compères with Pierre Richard and Gérard Depardieu. We wanted contrasting parenting styles and comedic archetypes: the strict one, the fun one, the meticulous one, and the gentle, more emotional one. Those differences became the foundation for both the humor and the character relationships.”

The first season will lean into relatable, everyday moments — “bedtime routines and haircuts to daily habits and life’s little adventures,” Weremiuk says. “We turn these familiar experiences into comedy, creating entertaining stories that help children understand that parents’ requests often come from a place of care. Rather than teaching lessons directly, we tell engaging stories that families can recognize from their own lives and enjoy together.”

Animaccord built its reputation around Masha and the Bear, the animated franchise launched in 2009 that follows an ever-curious little girl and the wise retired circus bear who becomes her unlikely companion. Now in its ninth season, the franchise holds a Guinness World Record as the most viewed cartoon on YouTube, has earned 76 YouTube Creator Awards and has been translated into 47 languages. Parrot Analytics ranks it among the world’s top two most in-demand children’s shows and the No. 1 preschool program.

The new series required extensive research — into global children’s media, rival brands and what resonates across cultures — alongside trust in a creative team already proven in those markets. “People bring different cultural backgrounds, perspectives, values and life experiences to the table, which allows us to look at stories from multiple angles,” Weremiuk says. “That helps us create narratives that feel authentic and specific, while still being universal enough for children and families around the world to connect with.”

The result, she argues, is comedy with no passport required. “At the end of the day, the most universal humor comes from recognizable emotions and experiences. Children everywhere understand friendship, curiosity, mischief, imagination and family relationships. When a story is built around those shared experiences, humor naturally travels across borders.”

As the franchise has grown, so have its licensing ambitions. Animaccord sees opportunities across toys, publishing, live experiences, fashion and brand collaborations. “We are already seeing strong interest from partners across multiple markets, and a number of agreements are currently being finalized,” says Weremiuk. “While it is still too early to announce specific partners, our goal is to build a carefully curated licensing program that feels authentic to the new franchise and resonates with children and families.”

At its core, though, the new series is a love letter to imperfect parenting.

“Every family is different, and every parent has their own personality, strengths and approach,” says Weremiuk. “What truly matters is the love, care and support you give your child. The series celebrates different parenting styles, but it also highlights what great parents have in common: They help their children feel loved, supported and safe.”

That sense of reassurance, Weremiuk adds, runs through every episode: “We hope families around the world will see themselves in these characters, laugh together, and be reminded that creating a home filled with love and security is what matters most.”