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The Hollywood Reporter

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Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57 Charlize Theron Jabs at Timothée Chalamet’s Ballet, Opera Remarks: “AI Is Going to Be Able to Do His Job in 10 Years” Andrew Lloyd Webber Says He’s a Recovering Alcoholic Nathalie Baye, French Actress Known for ‘Downton Abbey’ and ‘Catch Me If You Can,’ Dies at 77 She Broke Barriers as a Production CEO in the Middle East. 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NBCUniversal’s Peacock Posts $432 Million Loss as Subscribers Rise to 46 Million
Etan Vlessin · 2026-04-23 · via The Hollywood Reporter

Peacock, the streaming service of Comcast’s entertainment unit NBCUniversal, posted a first-quarter loss of $432 million, compared with a loss of $215 million in the year-ago period and a fourth-quarter loss of $552 million.

Overall revenue at the streaming platform came to $2.0 billion, up from $1.2 billion in the year-ago period and $1.6 billion in the fourth quarter of 2025, driven by increased paid subscribers and higher average rates. Peacock ended March 2026 with 46 million paying subscribers after adding NBA games and with the help of the Winter Olympics. That compares to 44 million subscribers in the fourth quarter and a year-ago base of 41 million customers.

Comcast, which reported its latest financial results on Thursday for the first time without its now-separated Versant business, reported overall revenue at $31.5 billion, up 5.3 percent from $29.9 billion in the year-ago period and beating an analyst forecast for $30.4 billion. That included an extra $2.2 billion in revenue from NBC offering the Winter Olympics and the NFL’s Super Bowl game in February.

The media conglomerate saw net income slide 35.6 percent to $2.2 billion, against a year-earlier $3.4 billion, while it posted adjusted earnings per share at 79 cents, compared to a year-ago $1.09. Analysts had forecast per-share earnings of 73 cents.

The first quarter “showcased the strength of our media portfolio, leveraging the unmatched reach of the Milan Cortina Winter Olympics and the Super Bowl to drive record advertising and strong Peacock growth, while also powering our ability to market our connectivity products at scale,” Brian Roberts, chairman and co-CEO of Comcast, along with Mike Cavanagh, said in a statement on Thursday.

Content and experiences revenue rose 40 percent to $11.9 billion after the Winter Olympics and the NFL’s Super Bowl revenue contributions, and media revenue, which includes NBCUniversal, was up 60 percent to $7.3 billion on higher advertising revenue.

The Universal film studios revenue was up 21 percent at $3.4 billion on higher content licensing business, while the theme parks revenue — a key metric for investors — came to $2.3 billion in the first quarter, up 24 percent after the opening of Epic Universe in May 2025.

Comcast’s connectivity and platforms revenue fell 2.5 percent to $19.9 billion. The core cable and telecom distribution business has faced losses in pay TV and broadband subscribers as Comcast grapples with cord-cutting and competition from fiber and fixed wireless providers.

The division in the first quarter lost 322,000 video customers, compared to 245,000 video customers shed during the fourth quarter, and Comcast lost another 65,000 domestic broadband subscribers. That has left investors looking to Comcast and elsewhere across the industry for a bottom when it comes to cable and broadband sub losses.

Comcast recently announced it had completed the separation of most of its cable networks into a separate entity called Versant Media Group, led by Mark Lazarus as CEO.