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The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
Jack Antonoff Lambasts AI Music Creators as “Godless Whores”
Carly Thomas · 2026-05-15 · via The Hollywood Reporter

Jack Antonoff isn’t holding back on his thoughts on music makers who use artificial intelligence.

The Bleachers frontman and music producer shared a lengthy letter (below) on his Instagram Wednesday, saying there’s “nothing more embarrassing than considering there is a way to optimize that holy process” of music creation.

“What we do has become an ancient ritual,” he wrote. “You don’t have to write music, you don’t have to record it and you don’t have to bring out the band and play it. And yet for us, the idea of optimizing what we do is a complete miss of the entire point of what compels us in the first place. We (myself, the band and everyone I know, frankly) have never been looking for this work to become quicker or easier. We were never frustrated by the randomness and magic it takes. We do it for that exact reason — and without the process itself ::: nothingness.”

The frequent Taylor Swift collaborator added that the “bad actors” in the industry will eventually “reveal themselves through slop” that they produce.

“So to everyone who is gassed up about the new ways you can fake making art, by all means, drive right off that cliff. We’re genuinely happy to see you go,” he added. “Generations coming will be engaging in the ancient ritual of writing, recording and performing as it comes to us from God.”

“So as we embark on this strange detour where the bad actors will willingly reveal themselves through slop, and the struggling great will be further spread thin to make an honest living doing what they were put on Earth to do, we (myself, the band and frankly everyone I know) remain more dedicated than ever to reveal what comes from within. Writing music, recording and performing it — that’s it. Nothing more embarrassing than considering there is a way to optimize that holy process,” Antonoff continued, calling AI music creators “Godless whores.”

“Also interesting to me how it’s mainly the out of touch shouting about following this nightmare,” he concluded. “The new artists I know are genuinely uninterested in anything that doesn’t come from within.”

While plenty of artists have been outspoken against the technology, such as Antonoff, Billie Eilish and Ed Sheeran, several others have embraced using AI in their music, including Grimes, David Guetta and Liam Gallagher.

And the AI train is only picking up steam as Suno, the music industry’s most prominent AI music generation platform, shared earlier this year that it has surpassed two million paid subscribers.

Autumn Rowe, a career songwriter with credits on Jon Batiste, Dua Lipa and Ava Max songs, recently told The Hollywood Reporter that she’s still skeptical of AI music but has begun to experiment lightly with Suno.

“I’ve got concerns with AI, I worry about younger writers who use Suno before they’ve spent the many, many hours crafting songs,” Rowe said. “But I do think AI in music will keep getting more prominent, and I think it could help writers get more leverage if they can do a lot of that production early themselves.”