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The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
The 50 Most Powerful People in New York Media
Kimberly Nor · 2026-05-07 · via The Hollywood Reporter

For plenty of moviegoers who’ve now seen The Devil Wears Prada 2, it’s a pleasant exercise in nostalgia. Anne Hathaway and company wear very expensive clothing while again dodging Meryl Streep’s biting remarks, each delivered via her tongue-in-cheek take on Anna Wintour. For journalists, however, this comedy hits a tad too close to home.

Layoffs. Faustian bargains with social media. Whole industries in the hands of ambivalent billionaires. Being forced to book economy … on international flights. These aren’t just plot devices to get the gang back together. These are the realities of working in media in 2026, where the decline of old models demands agility from the legacy companies that want to thrive — while making room for new opportunities, platforms and breakout stars. The Fourth Estate is still flush with power, it’s just more scattered than ever. And that’s not necessarily a bad thing. “New paradigms take time to reveal themselves,” says Puck co-founder and editor-in-chief Jon Kelly. “The media industry has traditionally rewarded safety: playing by the rules, not screwing up and traditional ladder-climbing.”

To be clear, safety is not guaranteed. Broadcast and cable newsrooms work alongside the specter of Brendan Carr, the Trump-friendly FCC chair actively investigating or at least threatening someone new on the daily. And Silicon Valley, which once established clear parameters for digital success thanks to search engine optimization and Facebook favoritism, has AI overhauling the way readers consume news. And hanging on Amy Poehler’s podcast or making doe eyes with Amelia Dimoldenberg over a plate of chicken tenders are equally as appealing opportunities as a magazine cover profile.

But even amid the wild decentralization of power in media, THR‘s survey of its longtime epicenter reveals that New York City remains an unrivaled stronghold — one populated by more stars than ever before. When asked to define what power in journalism means today, those wielding the most influence (and, in some instances, the biggest budgets) offered plenty of different takes. Audience rapport, consumer trust and editorial independence rank among the most popular responses. Some, like A.G. Sulzberger, offered more nuanced analyses. The chair of the New York Times Co. and publisher of the Gray Lady says power is still in the hands of the reporters. “The internet is overflowing with aggregators and commentators, but there are fewer people doing actual original reporting than ever before,” says Sulzberger. “It’s easier to offer a take than to follow the facts or dig for new ones. But reporting is the greatest contribution news organizations make to the public and the essential ingredient that sustains the rest of the media ecosystem.”

Many simply offered jokes — there are quite a few comedians in this space, after all — that, like the Prada sequel, are funny and unnerving in equal measure. Tonight Show host Jimmy Fallon posits that power in media these days is just a matter of “how many times a day the president tweets about you.”

All of their answers are correct, which is why we’ve devoted this list to examining the influence and authority of these power players in a sprawling industry that, even when it makes us fly coach, is still a thrilling — and vital — arena in which to work.