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The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
Kristin Juszczyk Signs With UTA (Exclusive)
Etan Vlessin · 2026-05-15 · via The Hollywood Reporter

Apparel designer Kristin Juszczyk has signed with UTA for representation in all areas.

The partnership with the designer, the wife of San Francisco 49ers fullback Kyle Juszczyk, will look to expand her business across unscripted and sports media. Juszczyk is creative director of the premium sports apparel brand Off Season, which she launched with Skims co-founder Emma Grede and Fanatics.

With an eye on the sports world, the fashion brand recently partnered with F1 for a racing-inspired collection. That followed earlier collaborations with the NFL, NBA, WNBA and Team USA at the 2026 Winter Olympics as Off Season looks to create fashion apparel — including unisex puffer jackets, vests and coats — inspired by the sport team colors and game day experiences of fans.

Juszczyk has also designed fashion pieces for celebrities like Taylor Swift, Simone Biles, Glenn Powell and Brittany Mahomes. With UTA, she will look to create her own IP in unscripted and sports media after co-hosting Wifed Up Mic’d Up with Claire Kittle.

The YouTube series has the duo documenting their NFL game day experiences, with the first season having generated over 3.5 million views on the Google-owned platform. The series is set to return for a second season.  

Juszczyk signing with UTA also comes as industry content and monetization trends indicate TV content is increasingly coming out of an evolving creators economy, rather than via traditional advertising, as digital disrupters fuel studio talent pipelines, drive marketing strategies and redefine who becomes a star.