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The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
Pedro Almodóvar: “Europe Must Never Be Subjected to Trump!”
Lily Ford · 2026-05-20 · via The Hollywood Reporter

Nearly every day at this edition of the Cannes Film Festival, audiences have broken into loud boos when the logo of Canal+ appears before a movie. “It’s the right-wing media,” one French journalist explained.

And artists have been speaking out, including Spanish directing legend Pedro Almodóvar, who, during Wednesday’s press conference for his latest film, Bitter Christmas, declared, “I don’t want to judge anyone, but I think artists have to speak out about the situation in which they live in contemporary society. It’s a moral duty,” when asked about the controversy.

He concluded by declaring, “Europe must never be subjected to Trump!”, to which the room of international journalists burst into applause.

He was wearing a “Free Palestine” pin.

Here’s the background: On May 12, the opening day of Cannes, 600 members of the film industry, including Juliette Binoche, Adèle Haenel and Swann Arlaud (a.k.a. the “hot lawyer” from Anatomy of a Fall) signed a letter criticizing right-wing billionaire and media mogul Vincent Bolloré, who owns France’s premier pay-TV channel Canal+ and its production arm Studiocanal, and is in the midst of acquiring UGC, France’s third-largest cinema chain. It’s a situation similar to the media consolidation occurring in the United States with David Ellison’s Paramount-Skydance acquiring Warner Bros. Discovery.

The letter, published in the newspaper Libération, warned that Bolloré’s control of the entire film pipeline could lead to a “fascist takeover of the collective imagination.” (Just one month prior, in the book publishing world, more than 100 authors quit the publishing house Grasset, which is owned by Balloré, after its publisher, Olivier Nora, was ousted, declaring that they would not be “hostages in an ideological war.”)

The situation in the film world was then exacerbated Sunday, when Canal+ CEO Maxine Saada announced that the network would essentially blacklist any artist who’d signed the letter and refuse to work with them. “I don’t want to work with people who call us crypto-fascists,” Saada said at a Cannes producers’ brunch.

Almodóvar was prompted to speak out when a Spanish journalist asked how he felt about “Hollywood being in crisis and Canal+ threatening creators.”

The director responded: “Silence is an expression of fear. They’re a symptom that things are going really badly. It’s a serious sign that democracy is a crumbling. Creators must speak out.” He continued, “The worst thing to happen to us to stay silent or to be censored. We have a moral obligation to speak out about all these things. We need to turn against Netanyahu. In Europe, we have laws, there are certain limits. We have to act as a shield against this madness.”