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The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
Cannes Embraces Ira Sachs’ ‘The Man I Love’
Scott Roxbor · 2026-05-21 · via The Hollywood Reporter

Ira SachsThe Man I Love received a rousing standing ovation — 7 minutes plus — when it premiered Wednesday night in the main competition at the 79th Cannes Film Festival, with the film’s director and cast — Rami Malek, Tom Sturridge and Luther Ford — ascending the Palais des Festivals steps for the evening’s gala screening.

Set in New York circa 1984, The Man I Love centers on Jimmy George (Malek), a beloved queer entertainer living with AIDS who refuses to stop working — and is determined to mount a new theatrical production as time runs short. His world is anchored by his devoted partner Dennis (Sturridge) and complicated by a simmering affair with a younger neighbor, Vincent, played by Luther Ford in a beguiling feature-film debut.

The premiere audience applauded through the credits and then roared as the lights came up. Malek, making his debut at the festival, seemed particularly overwhelmed. As a camera zoomed in on his face, his eyes filled with tears, before he slowly turned in a circle as if trying to commit the entire theater to memory. Soon, he appeared to get uncomfortable and dissolved into a grin, trying to pass off the spotlight to anyone in reach: Sachs, costars Tom Sturridge and Luther Ford, and even festival director Thierry Frémaux. 

Malek appears to have thrust himself into the awards conversation with this performance, which includes a genuine showstopper when, as Jimmy, he mournfully sings Melanie’s 1970 B-side, “Look What They’ve Done to My Song, Ma,” to his family.

“Well, this is lovely,” Sachs said, taking a microphone. “This is a film about what we can bring to each other, through art, through love, through pain, through memory, and I hope there are some memories we share for this evening, for this festival, and for our love of cinema. … None of us will be here forever, just to say. But there are moments that we will remember, and I tried with this movie, with this incredible cast, to fill this movie with things that I want to remember. And now this night will be added to that.”

He took a moment to have everyone who helped make the movie raise a hand — some 100 people — then Sachs gestured to Malek, Sturridge and Ford, and thanked “the three men who gave of their souls to make this film possible.” 

Sachs, who co-wrote the script with longtime collaborator Mauricio Zacharias, drew inspiration from real-life experimental artists who continued creating until their final days — among them Ron Vawter of The Wooster Group and pioneering gay comedian Frank Maya.

The supporting cast includes Rebecca Hall and Ebon Moss-Bachrach as Jimmy’s sister and brother-in-law, alongside dozens of real New York artists Sachs has known over the years, many of them filling out the film’s boisterous theatrical troupe.

The Man I Love arrives only 16 months after Sachs’ previous feature, Peter Hujar’s Day, continuing one of the most quietly prolific and critically admired runs in American independent cinema. Four of his last seven features have received Spirit Award nominations for best feature, including the critically acclaimed Passages.

The Man I Love is currently seeking U.S. distribution. MK2 Films is handling international sales with WME Independent repping North America.