惯性聚合 高效追踪和阅读你感兴趣的博客、新闻、科技资讯
阅读原文 在惯性聚合中打开

推荐订阅源

博客园_首页
H
Help Net Security
量子位
The Cloudflare Blog
博客园 - Franky
博客园 - 聂微东
博客园 - 司徒正美
Last Week in AI
Last Week in AI
奇客Solidot–传递最新科技情报
奇客Solidot–传递最新科技情报
Apple Machine Learning Research
Apple Machine Learning Research
宝玉的分享
宝玉的分享
钛媒体:引领未来商业与生活新知
钛媒体:引领未来商业与生活新知
有赞技术团队
有赞技术团队
罗磊的独立博客
GbyAI
GbyAI
雷峰网
雷峰网
T
The Blog of Author Tim Ferriss
Martin Fowler
Martin Fowler
S
SegmentFault 最新的问题
美团技术团队
阮一峰的网络日志
阮一峰的网络日志
freeCodeCamp Programming Tutorials: Python, JavaScript, Git & More
U
Unit 42
MongoDB | Blog
MongoDB | Blog

The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
‘In the Grey’ Review: Henry Cavill and Jake Gyllenhaal Co...
Frank Scheck · 2026-05-16 · via The Hollywood Reporter

If nothing else, Guy Ritchie’s latest effort proves that a movie can be ridiculously convoluted and simple-minded at the same time. Depicting the efforts of a lawyer and team of mercenaries to procure $1 billion from a shady tycoon who’s defaulted on a bank loan, In the Grey throws endless legal and logistical machinations into what is essentially the sort of mindless action movie featuring the likes of Stallone and Schwarzenegger in the 1980s. Come to think of it, those two would have been perfect casting for the central male characters Sid and Bronco, whose names would probably have provided that film its title.

As if aware that things are about to get confusing for the audience, writer-director Ritchie throws plenty of narration at us early on, emanating from Rachel Wild (Eiza Gonzalez), the sort of ultra-confident lawyer who clearly dresses for success. The plot is set in motion when Rachel convinces investment banker Bobby Sheen (Rosamund Pike, leaning into her onscreen ice queen image) to hire her to retrieve the money from the defaulter, Manny Salazar (Carlos Barde), for a ten percent recovery fee, with $10 million up front.

In the Grey

The Bottom Line Nothing to see here, other than star power.

Release date: Friday, May 15
Cast: Jake Gyllenhaal, Henry Cavill, Eiza González, Kristofer Hivju, Emmett J. Scanlan, Jason Wong, Michael Vu, Fisher Stevens, Rosamund Pike, Carlos Bardem
Director-screenwriter: Guy Ritchie
Rated R, 1 hour 38 minutes

Of course, it won’t be easy, since Manny isn’t hesitant about killing to achieve his ends. So, while Rachel deals with his lawyer (Fisher Stevens, defining his sleazy character mainly by sweating and mopping his brow), she also enlists ex-special forces agents Sid (Henry Cavill) and Bronco (Jake Gyllenhaal), both of whom she once got out of prison, to handle the more, shall we say, physical aspects of the job.

The intrigue includes Rachel sabotaging Manny’s hotel real-estate project in Saudi Arabia and Sid conning Manny’s equally crooked accountant (Mohammed Al Turki) with, I kid you not, a rigged game of backgammon (hey, it worked for James Bond with gin rummy in Goldfinger). As the barely comprehensible plot unfolds, Ritchie tries to make it simpler for us with a constant use of onscreen graphics labeling everything in sight, including the ingredients of a Negroni. When there’s an establishing shot of the Empire State Building, the setting is helpfully labeled as “New York.”

But all of this is merely an excuse for a series of elaborate action sequences, with Sid and Bronco (it’s fun to say, don’t you think?), abetted by an anonymous team they’ve recruited, battling Salazar’s forces, who seem to number in the hundreds — including his chief henchman (Kristofer Hivju, Game of Thrones), who’s so menacing even his overgrown beard seems aggressive. Ritchie has no small amount of experience staging this sort of thing, and scenes showcase his directorial efficiency. They’re sometimes too efficient, however, with Sid and Bronco and their team executing every maneuver flawlessly, communicating throughout via earpieces that never go on the blink, without any of them suffering so much as a scratch. Meanwhile, the bad guys fall over like dominoes. At a certain point, it kind of lessens the stakes.

In the Grey — the meaning of the title is explained via narration, naturally, by Rachel, who informs us that she operates in the grey zone between legal and illegal, moral and immoral — is the sort of movie in which the cartoonish villain is never seen without beautiful women in skimpy bikinis lounging poolside in the background. In between ruthlessly mowing down the bad guys, Sid and Bronco exchange the sort of deadpan quips indicating that they’ve seen plenty of movies like this and know exactly how to behave.

It all goes down easily, especially since the 98-minute film (including credits) doesn’t smack of Ritchie’s usual bloat. On the other hand, the jagged continuity and glaring plot holes indicate that it may be as short as it is only because of extensive editing.

All three principals have previously worked with Ritchie and their comfort comes across onscreen. Gonzalez definitely seems to be having fun with her role, while Cavill and Gyllenhaal, both seemingly aware that this will not be a high point in their filmographies, underplay in such appealingly relaxed fashion they seem to be angling for the chance to star in Sid and Bronco 2.