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The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
‘The Pitt’ Took Off in Season 2 — Here’s How Much
Rick Porter · 2026-05-15 · via The Hollywood Reporter

It’s no secret that The Pitts second season was much bigger than its first — HBO Max‘s internal data shows the series averaging 15.4 million viewers over its first 90 days, more than 50 percent higher than the first season in 2025. The show recorded more than a billion viewing minutes in Nielsen’s streaming ratings 12 times in its first 14 weeks this season.

The year-to-year growth is even more pronounced in some new data from Nielsen — which shows every week of The Pitt’s second season outpacing its first, and sometimes more than doubling the same week from season one.

The company’s regular weekly streaming totals include all episodes of a series. For example, the 1.13 billion minutes of viewing for The Pitt from April 6-12 includes time viewers spent watching episodes from season one and earlier episodes of season two, in addition to the one that premiered that week. The new data isolates the totals for season two and shows huge improvements year to year, particularly through the middle of the season.

In weeks four through seven, season two of The Pitt more than doubled its weekly viewing time from a year earlier. Weeks three and eight came close to that, improving by about 98 percent each. The only week where season one is within 10 percent of season two is week 14 — but that’s largely because The Pitt had a two-episode series premiere in 2025, which meant the season finale debuted in week 14.

Through 14 weeks, season two of The Pitt racked up 10.12 billion minutes of viewing time, according to Nielsen. That’s almost 77 percent more than the 5.72 billion minutes for the first season.

From Jan. 5-April 12, all episodes of The Pitt accumulated 15.47 billion minutes of viewing. Season two accounts for 65 percent of that total, with the percentage climbing fairly steadily throughout the season. The second season premiere made up only about 35 percent of the weekly total for Jan. 5-11 — no surprise since it was available for only part of that week (it debuted Jan. 8) and was less than 10 percent of the series’ total running time at that point.

By week four of this season, however, season two made up the majority of watch time for The Pitt. Starting in week 11, the current season accounted for more than 75 percent of all viewing for the series, according to Nielsen.

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