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The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
Box Office Preview: ‘Devil Wears Prada 2’ to Sew Up at Le...
Pamela McCli · 2026-04-30 · via The Hollywood Reporter

Talk about a daring and devilish move.

This weekend, The Devil Wears Prada 2 will become the first female-driven movie in modern history to kick off the summer box office, a duty that has generally gone to a Marvel superhero pic. One exception was Universal’s The Fall Guy in 2024, the Ryan Gosling-Emily Blunt starrer which could never quite decide whether it was an action movie or a romancer. It opened to a sorely disappointing $27.7 million.

It did, however, ultimately get to nearly $200 million worldwide by the time it fled theaters. If tracking and the dizzying pace of advance ticket sales are correct, 20th Century’s Prada 2 will earn nearly $200 million in its global debut alone. Tracking shows the movie opening anywhere from $68 million to $75 million in North America, while 20th and parent company Disney are sticking to $70 million to $75 million. Overseas, it’s expected to sew up a least $100 million.

Among the few trends saving the box office in the post-COVID era are films that feed the nostalgia meter, and this fits the bill.

It’s been two decades since The Devil Wears Prada transformed into a sleeper box office hit earning $326.5 million on its way to becoming a cultural touchstone that spans generations. But reviving a long-dormant property isn’t for the faint of heart, and it’s taken years to make the sequel a reality, since it meant convincing director David Frankel and writer Aline Brosh McKenna to return, as well as stars Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci. Not to mention that 20th Century Fox was absorbed by Disney, which cut ties with Elizabeth Gabler’s Fox 2000 label, home of Prada.

But Disney didn’t allow a wholesale brain drain to happen when taking Fox. Steve Asbell, who now runs 20th Century, is among the former Fox execs now at Disney.

Everyone on the Disney lot knew the sequel’s budget would be far higher than the original film’s price tag of $40 million before marketing because of salaries alone, but believed it was a risk worth taking. Prada 2 reportedly took a net $100 million to produce before marketing.

Released in 2006, the first The Devil Wears Prada was a rags-to-riches story of a young woman (Hathaway) who headed for the big city to be a serious journalist, only to become the assistant of a ruthless and legendary editor (Streep).

The film picks up years later as Streep’s Miranda Priestly once again faces the prospect of losing control as the editor or Runway. Hathaway’s Andy Sachs has achieved her dream of becoming a prize-winning journalist, but as the legacy media world collapses, finds herself working again at Runway.

“If you go into The Devil Wears Prada 2 looking for fierce fashion porn, bitchy put-downs and a fresh dose of Meryl Streep’s iconic performance as imperious Anna Wintour clone Miranda Priestly, you are unlikely to be disappointed,” reads THR chief film critic David Rooney’s review.