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The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
Cannes Flashback: When Léa and Adèle Turned the Cannes Ju...
Gregg Kilday · 2026-05-17 · via The Hollywood Reporter

The names of French actresses Léa Seydoux and Adèle Exarchopoulos will be forever intertwined in the Cannes record book, so it is serendipitous that both are returning to this year’s festival. Back in 2013, they starred in director Abdellatif Kechiche’s Blue Is the Warmest Color, playing young women who share a sexually charged relationship. The film was an immediate sensation. Said THR critic Jordan Mintzer, “Sure to raise eyebrows with its showstopping scenes of unsimulated female copulation, the film is actually much more than that: It’s a passionate, poignantly handled love story.”

Some handicappers thought it might prove too risqué for that year’s jury, headed by Steven Spielberg, but the jury stunned at the closing night ceremony by not only awarding the film the Palme d’Or, but by also taking what it called “the exceptional step” of declaring that the honor should be shared by the director and his two leads. At the press conference that followed, Exarchopoulos said of Blue: “It’s universal. It’s a love story. If it’s also a hymn to tolerance, then that’s all the more gratifying.” Added Seydoux, “What brought us together was the love that existed between us, and perhaps our sense of humor.”

There’s a good chance the two will bump into each other on this year’s red carpet. Exarchopoulos stars in Jeanne Herry’s French drama Another Day, screening in competition. Seydoux appears in two competition titles: Marie Kreutzer’s Gentle Monster, also featuring Catherine Deneuve, and Arthur Harari’s The Unknown, a Neon pickup about a man who after a one-night stand wakes up in the body of the woman he seduced.

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