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Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
Fox’s “Expectation” Is to Keep The Roku Channel and Tubi ...
Caitlin Huston · 2026-06-15 · via The Hollywood Reporter

With Fox set to acquire Roku for $22 billion, the company will also own the top two free, ad-supported streaming players. 

Fox owns Tubi, which captured 2.2 percent of all TV viewing in the U.S. in March, while the Roku Channel captured 3 percent, according to the latest Nielsen Gauge, putting it just under Amazon’s Prime Video. At the moment, Lachlan Murdoch, CEO of the Fox Corporation, said the plan is to keep the two services operating separately, while noting the power of owning the two services. 

“If you look at Tubi and the Roku channel together, they are incredibly complementary services,” Murdoch said on an investor call Monday. “There’s about a third overlap between the audience, between the two of them, so that they’re not identical audiences. Bringing the two of them together, you know, effectively , triples the reach of the combined service.” 

“It’s too early to say, but our expectation is fully that you keep the services separate. They serve consumers and our viewers in different ways,” he continued. 

The power, as noted by Roku CEO Anthony Wood, is primarily in creating an even larger ad platform for the combined business. 

“The combination of the Roku Channel, our ad inventory that we have distributed through the platform and Tubi creates an extremely large and scaled ad platform, and then a combination of the data and the ad tech,” Wood said on the call. “I think that’s obviously going to be incredibly helpful for our business.”

One of the key differences between the two services is the fact that the majority of content on Tubi is video-on-demand, while Roku is primarily made up of FAST channels. Additionally, the Roku Channel is largely used while on Roku, while Tubi is available widely. Roku is also the owner of the $2.99 monthly subscription service Howdy, which the company has said has been quickly gaining traction

Tubi has also leaned into producing some of its own original content as it leans into specific genres and programming that appeal to its younger and more multicultural audience, while the Roku Channel has shifted gears on originals, after releasing its big feature film, Weird: The Al Yankovic Story in 2022, to focus more on creating content around big sporting and holiday events.