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The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
Lionsgate Swings to Quarterly Profit on Higher Revenues
Etan Vlessin · 2026-05-22 · via The Hollywood Reporter

Lionsgate Studios on Thursday released its fourth quarter financial results, with the Hollywood studio without Starz reporting higher revenue and a swing to profitability for the three months ended in March.

Lionsgate posted a fourth quarter net profit attributable to shareholders at $70.2 million, compared to a year-earlier loss of $117.4 million, on overall revenue rising to $906.5 million, against overall revenues of $865.6 billion a year ago when accounting for $206.2 million in intersegment eliminations in the year-ago period, according to Lionsgate.

That beat an analyst estimate for fourth quarter revenues at $810.14 million. During the quarter to March 31, 2026, the company’s studios business, which combines the Motion Picture and TV production segments, saw Motion Picture revenue go up to $652 million, compared to $528.5 million in the same period of 2025.

The studio during the first quarter released the box office sleeper hit The Housemaid as it has earned around $400 million at the worldwide box office. Paul Feig is on board to direct a sequel for a 2027 release and the studio is developing a live stage adaptation of The Housemaid. 

Lionsgate’s TV production revenue came to $254.6 million, against a year-earlier $543.3 million, with the fall put down to the timing of episodic deliveries. The segment profit, a key metric, for the Motion Picture division rose to $187.1 million, compared to $135.3 million a year-earlier.

The TV Production segment profit decreased to $30.5 million, from a year-earlier $40.6 million. Lionsgate pointed to its trailing 12-month library revenue topping $1 billion as it forecast growth for the coming year.

“All of the pieces of our business are coming together – our library has achieved a billion dollars in trailing 12-month revenue for three quarters in a row, more than half of our film, television and live entertainment slates are comprised of branded, repeatable properties, and massive hits like The Housemaid and Michael are strengthening our brand and increasing our forward visibility. We enter fiscal 27 positioned to deliver the earnings power and value creation that our shareholders expect,” Lionsgate CEO Jon Feltheimer said in a statement that accompanied his latest results.