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The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
Stephen Colbert’s Final ‘Late Show’ Draws Most Weeknight ...
Anthony Magl · 2026-05-23 · via The Hollywood Reporter

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The final episode of The Late Show with Stephen Colbert drew 6.74 million viewers for CBS on Thursday, the most-ever for a weeknight episode, according to preliminary Nielsen data.

That’s more than double the season average, with the Late Show generally drawing between 2.4 million and 2.7 million viewers an episode this past season, which was its last on CBS. It is however only about half the viewers that David Letterman saw for his farewell episode in 2015, when 13.7 million viewers tuned in.

Still, the nearly seven million viewer figure is the best ever for a weeknight edition of the program during Colbert’s run. The Late Show once aired a post-Super Bowl episode (Feb. 7, 2016) on a Sunday night, which averaged 20.55 million viewers, while the series premiere of the Colbert Late Show averaged 6.55 million total viewers. For the now-wrapped season, The Late Show averaged 2.69 million viewers.

As with Letterman’s final show, Colbert’s final show was star-studded, with appearances by the likes of Bryan Cranston, Paul Rudd and Tim Meadows, and a closing performance led by Paul McCartney.

CBS announced last summer in a shock move that it would cancel the Late Show after the current season, citing the challenges economics of the timeslot. Byron Allen will take over 11:30 with his Comics Unleashed series in a time-buy arrangement with CBS.

The finale numbers, while strong compared to a typical episode, do underscore how viewing habits have changed. Colbert’s final monologue has gathered 2.9 million views and counting on YouTube, while the musical performance with McCartney is at 1.1 million views and growing. Millions more have watched clips on platforms like TikTok and Reels. Those numbers aren’t apples to apples, of course, but they are a big part of why and how late night’s modus operandi has changed.

And as of Friday, there is one less network, and one less show, in the game.