惯性聚合 高效追踪和阅读你感兴趣的博客、新闻、科技资讯
阅读原文 在惯性聚合中打开

推荐订阅源

Vercel News
Vercel News
博客园 - 司徒正美
大猫的无限游戏
大猫的无限游戏
Last Week in AI
Last Week in AI
V
Visual Studio Blog
阮一峰的网络日志
阮一峰的网络日志
小众软件
小众软件
宝玉的分享
宝玉的分享
Apple Machine Learning Research
Apple Machine Learning Research
美团技术团队
WordPress大学
WordPress大学
博客园 - 聂微东
人人都是产品经理
人人都是产品经理
罗磊的独立博客
The Cloudflare Blog
V
V2EX
月光博客
月光博客
有赞技术团队
有赞技术团队
Y
Y Combinator Blog
钛媒体:引领未来商业与生活新知
钛媒体:引领未来商业与生活新知
让小产品的独立变现更简单 - ezindie.com
让小产品的独立变现更简单 - ezindie.com
GbyAI
GbyAI
博客园 - 【当耐特】
T
Tailwind CSS Blog

The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
The Wait Between TV Seasons Is Getting Longer, It’s Not Y...
James Hibberd · 2026-05-28 · via The Hollywood Reporter


Live Feed

A study says the average gap between seasons of TV has reached a new high, with scripted originals on streaming taking an average of 21 months to return.

Gaten Matarazzo as Dustin Henderson in Stranger Things: Season 5.

Gaten Matarazzo as Dustin Henderson in Stranger Things: Season 5. Courtesy of Netflix

Logo text

It’s been a two-year wait for the upcoming third season of HBO’s House of the Dragon. The second season of Apple TV+’s Severance was a three-year wait, as was the final season of Netflix’s Stranger Things.

At this point, waiting years for a new season isn’t at all unusual.

According to a new study by Ampere Analysis, the average wait between seasons of TV shows on major streaming platforms has reached what is almost certainly an all-time high.

The study reports the gap has gradually doubled over the last decade — from an average of 10 months in 2016 to 16 months in 2021 to 21 months in 2024 and 2025. Prior to 2016, shows taking less than a year to return were the industry norm.

That said, a show taking a long time to return doesn’t necessarily reduce interest. In fact, shows that took more than 30 months between seasons (such as Netflix’s Wednesday) had the highest viewer engagement.

Unsurprisingly, sci-fi and fantasy titles that require considerable VFX work tend to be the shows that have the longest waits. Since HBO’s Game of Thrones, streamers have invested heavily in cinematic event shows that can break through the clutter amid an average of 600 scripted shows a year. Such shows tend to require a longer production schedule (yet Thrones, many forget, managed to regularly churn out a new season annually until its seventh-and-final season, which took two years).

Such gaps come with some risk — 54 percent of the study’s respondents said they would be likely to cancel a service subscription due to long waits for engaging content.

“Many original shows build highly dedicated audiences that remain loyal despite increasingly long waits between seasons,” said Christen Tamisin, Senior Analyst at Ampere Analysis. “However, streamers need to balance blockbuster production timelines against a steady flow of content. Extended gaps may generate anticipation around flagship titles, but they can also encourage audiences to cancel subscriptions and return only when major shows are back on screen.”

That risk is likely higher when courting younger viewers. Recently, another study by Dentsu and IGN Entertainment showed that more than half of Gen Z users said they will cancel and renew streaming services to “chase a single title” rather than just buy and hold a subscription service. The study claimed “platform loyalty is effectively dead.”

THR Newsletters

Sign up for THR news straight to your inbox every day

Subscribe Sign Up