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Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
James Burrows Appreciation: Warren Littlefield Says “Ther...
Warren Littlefield · 2026-06-21 · via The Hollywood Reporter

James Burrows, the legendary TV director, died on Friday at the age of 85. Many from across the industry have issued statements paying tribute to him. Below, you can read a longer personal remembrance provided exclusively to The Hollywood Reporter by Warren Littlefield, who became an executive at NBC in 1979 and served as president of NBC Entertainment from 1991 through 1998, encompassing its fabled Must See TV era.

America’s greatest and most prolific exporter of the world of laughter and joy was and is Jimmy Burrows.

Jimmy’s brilliance revealed itself in a number of ways. In casting sessions that included showrunners, writers, studio reps and network execs, the voice everyone listened to the most was Jimmy’s. He directed actors by gaining their trust so that without fear, they would take risks beyond their comfort zone. He had a wickedly funny mind, but also a very kind soul. Uniquely, he also directed writers, telling them what he needed to take their material to another level. Marta Kauffman, after making the first episode of Friends with Jimmy, said the eye-opener for her was his skill at dramaturgy. No one was his equal in that regard.

I met Jimmy shortly after I started working at NBC in Comedy Development in late 1979. At the time, ABC and CBS each had at least a dozen award-winning and highly popular shows on their schedules. NBC had Diff’rent Strokes and Hello, Larry. That’s it. NBC was desperate to be competitive in the genre, and overpaid the Charles brothers, Les and Glen, and Jimmy Burrows, who had good credentials working on other people’s shows, but had never created a show on their own. The deal was for two scripts against a 13-episode series commitment. Their brilliant agent, Bob Broder, shopped our offer to other potential buyers, but no one was as desperate as NBC.

At breakfast in Burbank, Jimmy, Les and Glen served us a few scraps of what they were thinking. They wanted to do an adult comedy, maybe set in a bar. Unlike the tone of ABC’s popular Three’s Company, they wanted to channel a little bit of the Spencer Tracy and Katharine Hepburn dynamic, or Cary Grant and Rosalind Russell in His Girl Friday, and perhaps throw in a little of George Cukor’s The Philadelphia Story. We said yes, and Cheers was born.

When casting the show, ex-LA Rams football player Fred Dryer gave a very entertaining read as ‘Sam Malone,’ and there was a good chance that we would have rolled the dice with him, but Jimmy insisted that Ted Danson was the guy that we could depend on scene for scene, day in and day out. He told us to put Fred in a drama. Jimmy spoke and we listened — for both actors — and thank God we did. History repeated itself when Kelsey Grammer read for the newly created role of ‘Frasier Crane’ in Cheers. Was Kelsey the best choice? Jimmy said he was, and Frasier was the award-winning quality comedy that kept us going for another 11 seasons after Cheers departed.

Jimmy executive produced all 275 episodes of Cheers and directed 236. It was everything they envisioned in their non-pitch breakfast pitch so many years before, but it represented so much more. For me, it was a learning tree of what network television adult comedy could be. They never pitched individual episodes, but rather character arcs across a season. No one had done that before. I listened and learned, and Jimmy and Les and Glen forever changed the DNA of comedy at NBC. Sophisticated, urban, young adult comedy was our beacon — we finally had one.

There would have been no ‘Must See TV’ on NBC without Jimmy. He was our North Star. He launched Night Court, Wings, Frasier, Friends and 3rd Rock from the Sun. Jimmy executive produced and directed every single episode of Will & Grace for the Peacock. Vice President Joe Biden gave a shout out to the series when he announced the Marriage Equality Act, and that made Jimmy smile — but he was particularly thrilled by how relevant the show made him with his kids.

Year after year, NBC’s Advertiser Upfronts in New York were a celebration of the genius of Jimmy Burrows. Late night parties followed and alcohol flowed, and my memory is of talent of all ages lovingly looking up at the master with tremendous gratitude. One only has to go to the Friends reunion special to witness that love.

Equally phenomenal to his influence and achievements at NBC was what Jimmy did with Chuck Lorre at CBS, but that’s a story for someone else to tell.

In the digital age we now live in, 500 episodes are considered the amount of content needed to launch a platform. In 2016, in a star-studded spectacular, NBC honored Jimmy for producing and directing his 1000th episode of television. Imagine a world with not one but two Jimmy Burrows channels — it would be a world of laughter and joy. Thank you, Jimmy, and Cheers to you!