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The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
Will Mermaid School Movie ‘Titanic Ocean’ Become a Cannes...
Seth Abramov · 2026-05-15 · via The Hollywood Reporter

The first footage from Konstantina Kotzamani’s debut feature has just arrived, and it’s unlike anything else in this year’s selection.

The Greek filmmaker has conjured something genuinely strange and irresistible: a dayglo fantasia about girls who train to become professional mermaids, and the one among them who learns that the costume is only the beginning.

Set in a Japanese boarding school where teenage girls learn to hold their breath, perform for adoring crowds, and swim alongside sharks, the film follows 17-year-old Akame as she finds her voice, discovers first love, and ultimately undergoes a metamorphosis.

It taps into something primal — the same childhood longing that made Daryl Hannah’s mermaid in Splash an icon, and that has fueled a real-world mermaid performance subculture ever since. (This writer explored that obsession in a recent episode of It Happened in Hollywood, with Ron Howard and Brian Grazer reflecting on how they brought Splash to life.)

As teased in the clip, Kotzamani’s world is filled with saturated colors and hypnotic ideas. It’s equal parts aquatic spectacle and coming-of-age pressure cooker. It’s the kind of film that invents its own genre — part fantasy, part body horror, part J-pop fantasia.

A multinational co-production spanning Greece, Germany, Romania, France, Spain, and Japan, the film boasts a cast of Japanese actresses led by Arisa Sasaki, with music by Patricia Ferragud and cinematography by Raphaël Vandenbussche. International sales are handled by Paradise City Sales.

Un Certain Regard has an excellent track record for this kind of thing — formally adventurous films that leave audiences slightly altered. It’s the section that gave us Lukas Dhont’s Girl and Maryam Touzani’s The Blue Caftan before the world caught up with them. Titanic Ocean has all the hallmarks of a cult object in the making. Do hold your breath.

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