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The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
‘La Gradiva’ Wins Cannes Critics’ Week
Scott Roxbor · 2026-05-21 · via The Hollywood Reporter

Marine Atlan’s debut feature La Gradiva has claimed the top honor at Cannes’ Critics’ Week parallel section, walking away with the prestigious AMI Paris Grand Prize after wowing a jury headed by Indian filmmaker Payal Kapadia (All We Imagine As Light).

The film follows a group of French teenagers on a school excursion to Naples, where an encounter with the preserved victims of Vesuvius at Pompeii unleashes a torrent of pent-up emotion and longing among the students, who find themselves overwhelmed by ancient beauty and their own awakening desires.

Check out a clip for La Gradiva below.

Kapadia, whose own film All We Imagine as Light took the Grand Prix at Cannes two years ago, led a jury that included Québécois actor Théodore Pellerin, musician Oklou, Ghanaian-British producer Ama Ampadu, and journalist and Bangkok World Film Festival director Donsaron Kovitvanitcha.

The Louis Roederer Foundation Rising Star Award went to Spanish actress-turned-director Aina Clotet for Viva, her feature directorial debut. The wry, bittersweet comedy, set against a sweltering Catalan summer, follows a woman navigating a wholesale reassessment of her life and career in the wake of a breast cancer diagnosis.

‘Viva’ Courtesy of Cannes Critics’ Week

Among the collateral prizes, Chinese director Zou Jing’s A Girl Unknown claimed the Gan Foundation Award for Distribution, with Pyramide Distribution set to handle its French release. The film charts the life of a young girl passed between three families — each giving her a new identity — as part of a broader reckoning with the mass abandonment of newborn girls under China’s one-child policy.

The SACD Award for best screenplay was shared by director Blerta Basholli and co-writer Nicole Borgeat for Dua, a coming-of-age drama set in Kosovo on the eve of the late-1990s war.

In the short film categories, Romain F. Dubois took the Sony Discovery Prize for Skinny Boots, while Berthold Wahjudi’s “Vaterland” or A Bule Named Yanto claimed the Canal+ Award.

Now in its 65th edition, Critics’ Week — which focuses exclusively on first and second features from emerging filmmakers — screened 11 features chosen from more than 1,050 submissions, alongside ten short films. The section opened with Phuong Mai Nguyen’s In Waves and closed with Adieu Monde Cruel.

Find the full list of 2025 Cannes Critics’ Week winners below.

AMI Paris Grand Prize

La Gradiva, director: Marine Atlan

Louis Roederer Foundation Rising Star Award

Viva, director: Aina Clotet

Gan Foundation Award for Distribution

A Girl Unknown, director: Zou Jing

SACD Award

Dua, director: Blerta Basholli

Sony Discovery Prize for Short Film

Skinny Boots, director: Romain F. Dubois

Canal+ Award for Short Film

“Vaterland” or A Bule Named Yanto, director: Berthold Wahjudi