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The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
Sony’s Crunchyroll to Launch in Taiwan and South Korea
Patrick Brzeski · 2026-06-17 · via The Hollywood Reporter

Crunchyroll is bringing fully localized versions of its anime streaming service to Taiwan and South Korea, the latest step in a multiyear expansion by Sony Group’s steadily growing anime business. President Rahul Purini announced the moves at the APOS media conference in Bali, with Taiwan set for this summer and South Korea slated for later in 2026.

Asia is a priority for Crunchyroll because it’s home to some of the world’s most passionate anime communities,” Purini said in a fireside chat, framing the expansion as part of the company’s longstanding mission to be “the best place for fans to experience anime, wherever they are.”

Taiwanese fans will get access to the platform’s full catalogue and simulcast slate this summer, the company said, with South Korea to follow later in 2026. Over the past three years, Crunchyroll moved into India and Thailand, building its offering there around localized interfaces, extensive dubbing and on-the-ground community events supporting the core streaming product.

Crunchyroll credits that localization-heavy approach with sharp engagement gains. In India — which it calls one of its fastest-growing markets worldwide — the platform now offers more than 900 titles and over 180 dubs across Hindi, Tamil and Telugu, with dubbed content accounting for more than 65 percent of viewing and total watch time up 3.5 times, the company said. In Thailand, where it launched a fully localized service in February, Crunchyroll reports that viewership has quadrupled and ranks the market fourth worldwide for anime engagement — helped by Demon Slayer: Kimetsu no Yaiba — Infinity Castle, which it says became the highest-grossing Japanese film and the top-grossing animated film of all time in that market.

The Asia expansion is part of a broader anime strategy that Sony Group has elevated to a central corporate priority. Sony acquired Crunchyroll from AT&T in 2020 for $1.18 billion and folded it into Funimation, the anime-streaming pioneer it had picked up earlier. The fully integrated service now counts more than 17 million subscribers and operates as a joint venture between Sony Pictures Entertainment and Aniplex, the anime production arm of Sony Music Entertainment in Japan. Investment bank Jefferies has forecast the global anime market will reach $60.1 billion by 2030, up from $22 billion in 2023. Sony’s prescience for the category was on clear display last year with the release of Infinity Castle, which grossed more than $700 million worldwide and became the highest-grossing Japanese film of all time, with Crunchyroll as co-distributor outside Japan.

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