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The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
‘Felt That: Boxing’ Game Maker Signs With CAA (Exclusive)
Etan Vlessing · 2026-06-15 · via The Hollywood Reporter

Sans Strings Studio, maker of the popular Felt That: Boxing comedic boxing game, has signed with Creative Artists Agency for representation.

The entertainment and gaming studio is looking to get deeper into original IP after launching at Summer Game Fest the popular game where furry puppets fight with fury. With multiple projects in development, Sans Strings will look to the Hollywood talent agency to advance in gaming, film, TV and licensing as it also build out its industry and brand partnerships.

“It’s an incredible honor to partner with CAA, an organization representing some of the world’s most talented artists and visionary companies. Their belief in Sans Strings Studio validates our potential and our commitment to building character-driven transmedia IP at scale. With CAA, we feel ready for the next chapter,” Sans Strings co-founder and CEO Sebastien Deguy said in a statement.

Besides Deguy, the entertainment and game studio is led by co-founder and CCO Ryan Corniel, COO Andrew Sommerville and a creative team that includes Colin Benoit, Natt Tapley and Joel Veitch.

For Felt That: Boxing — which centers on Ezra “Fuzzy” E” Wright, a furry hero battling through the Tournament of a Million Punches to save a puppet orphanage from demolition — Sans Strings used unreal engine 5 to create a puppeteering pipeline as it looks to advance the future of transmedia storytelling, or worlds created for interactive, linear and live action formats.

The studio also uses what it calls “F.E.L.T. (Fuzz-E Logic Toolset)” for real-time animation and game development. “Sans Strings is a rare team that is games-native and tech-proficient, but with a storyteller’s instinct for IP that travels. We’re excited to partner with them as they expand their original worlds across interactive, linear, and live experiences,” Derek Douglas, head of games at CAA, added in his own statement.

Original properties in production at Sans Strings, while still under wraps, are understood to span TV, streaming and interactive formats for multiple platform exploitation. The game development studio is also catching the attention of investors, having recently completed a seed financing round led by venture firm  Red River West and with participation from 16z speedrun, Sisu Game Ventures and Kima Ventures, along with angel investors.  

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