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New Zealand’s North Island braces for Cyclone Vaianu with thousands ordered to evacuate Artemis II splashdown – in pictures Swalwell denies allegations of sexual assault as calls grow for him to withdraw from California governor race Trump news at a glance: Epstein survivors have words for Melania Trump after surprise statement Multiple people face charges, including murder, in California fireworks blast Rory McIlroy surges into six-shot Masters lead with stunning second-round flourish Roberto De Zerbi targets ‘Ange-ball’ revival to save Spurs from relegation Bath hit back to reach semi-final after stunning Northampton in 11-try epic Australia crash out of BJK Cup after Britain secure upset with doubles win Zebras, wealth and power: Hungary’s election tests Orbán’s grip on power ‘TikTok effect’ brings sellout crowds and younger fans to Grand National meeting King signs up David Beckham to his Chelsea flower show team The war over Omagh’s gold: the £21bn mine plan tearing a community apart Britain’s shadow workforce is paid as little as 65p an hour. 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‘A weed is only a plant in the wrong place’: RHS Chelsea garden celebrates England’s edgelands
Donna Fergus · 2026-05-10 · via The Guardian

Stinging nettles, buttercups, broken crockery, fly-tipped flowers and a discarded gnome are not the usual hallmarks of an RHS Chelsea flower show garden.

But this year’s On the Edge garden by Sarah Eberle – the most decorated designer at Chelsea – is designed not to look like a garden at all, rather to transport its visitors to the liminal spaces on the outskirts of towns where the countryside begins and nature is in critical need of protection.

“The garden is about the fringe lands of towns and cities – and how vulnerable they are to development,” said Eberle, who has created the garden for the Campaign to Protect Rural England (CPRE) to mark the charity’s centenary year. “There is very much a feel of the countryside to it, but with a town edge coming in, in its plant material.”

Right at the front is its centrepiece: a fallen mature tree sculpted into a reclining female figure by the chainsaw carver Chris Wood, “a mixture of stone and timber carved from a sequoia that’s fallen on this piece of edgelands”, said Eberle.

Sarah Eberle stands next to the head of the sculpture created by Chris Wood for her Chelsea garden.
Sarah Eberle stands next to the head of the sculpture created by Chris Wood for her Chelsea garden. Photograph: Mark Spencer

The sculpture, which represents Mother Nature or Gaia, the Greek goddess of the Earth, is intended to evoke the peacefulness and vulnerability of green belts and other countryside that surround urban centres. Its arm touches rainwater collected in a gravel pool and its willow hair flows into a dry stone wall that winds through a landscape dotted with native trees such as hornbeam, field maple and hawthorn. “Her hair will have birds’ nests in it and wild roses climbing over it, and it lifts up and goes over the path, so you walk underneath her,” said Eberle.

Eberle hopes the garden will help to convey how fragile, scrappy patches of countryside on the edges of towns and cities can serve as important sanctuaries for wildlife and urban communities. “If we look after these spaces, they can be good for nature and good for people,” she said.

A bumblebee seeks nectar from a purple viper’s bugloss flower
Echium vulgare, or viper’s bugloss, is one of native plants that support ‘pollinators, moths and other native wildlife’. Photograph: John Lawson/Getty Images

The planting scheme includes lots of wildlife-friendly native plants that are typically viewed as weeds, such as buttercup, wild strawberry, purple foxglove, cow parsley and stinging nettles. “There is beauty in our ordinary, native landscapes and the plants you find there – and a weed is only a plant in the wrong place,” said Eberle, who is marking her 50th year in horticulture and her 20th Chelsea. “Many of our native plants support pollinators, moths and other native wildlife, such as birds and small mammals.”

Stinging nettles
Stinging nettles are among wildlife-friendly native plants that are typically viewed as weeds. Photograph: Lemanieh/Getty Images

There are ornamental garden plants, too, which have not been planted, but dumped there – alongside a discarded gnome from Eberle’s personal collection. “The idea is that a community has come in, and is using this space, so it’s been subject to a little bit of fly-tipping,” she said.

“You’ll sometimes see plants which would normally be found in a garden taking root in natural areas on the edges of towns and cities where people have dumped their garden waste.”

Common foxglove (Digitalis purpurea) in flower in forest in late spring
‘There is beauty in our ordinary, native landscapes and the plants you find there,’ said Eberle, including purple foxglove. Photograph: Arterra Picture Library/Alamy

These “tough garden plants that can survive being ditched” are a nod to the resilience of nature and include geranium, amsonia, Russian iris and disporum. “We’ve also planted echium, a showy plant with a blue spire that’s a strong grower and would respond well to a little fly-tipping, and crocosmia, a classic plant that people chuck out because it gets too heavy in their gardens,” said Eberle.

At the back there is a leaky concrete agricultural trough full of duckweed and rainwater, to create an area of damp planting, and the boundary of the garden is old corrugated tin, which suggests the side of a barn or an industrial building.

Orange Crocosmia, known as coppertips or falling stars in flower.
Eberle has included crocosmia, ‘a classic plant that people chuck out because it gets too heavy in their gardens’. Photograph: Alex Manders/Getty Images

Eberle hopes that visitors to the garden, which will eventually be relocated to a regeneration housing development in urban Sheffield, will be inspired to get involved with nurturing and celebrating fringe lands near them. “These edgelands, which are so vulnerable, are so valuable,” she said.

To coincide with the exhibition of the garden at Chelsea, CPRE is calling on people to contribute to an interactive map of the English countryside on the edges of towns and cities by submitting observations and stories about overlooked patches on the edges of cities and towns that they use and care about.

Buttercups in a field
Buttercups in a field. Photograph: Wendy Love/Getty Images/iStockphoto

“These places are usually overlooked because they’re not national parks and they’re not protected places or epic landscapes,” said Elli Moody, the director of policy and advocacy at CPRE. “We’re hoping we can record and make visible why these ‘in-between places’ – where communities and nature find each other – really matter to people, through this new map, which is the first of its kind.”

The organisation is lobbying the government to protect England’s 14 green belts and other rural edgelands of towns and cities, fund and support edgeland farmers and give urban communities a greater stake in the countryside they use. “In the future, we’d like to see towns and cities engaging their residents much more than they do now in how to use and plan local countryside and nature spots around where they live,” said Moody.

Chris Wood works on project with a chainsaw in his studio while wearing orange ear defenders
The centrepiece of the garden is a fallen mature tree sculpted into a reclining female figure by the chainsaw carver Chris Wood. Photograph: Mark Spencer

She would like to see more focus by policymakers and local authorities on empowering communities to buy land through community land trusts and create a new generation of parks, community gardens and protected green spaces.

“We know there’s huge demand for these spaces and that local communities do so much work to restore nature in their local places,” said Moody. “We hope the map and the garden – which we see as a living manifesto showing what’s possible – will bring that to light and make the value of these edgelands more visible for decision-makers.”