惯性聚合 高效追踪和阅读你感兴趣的博客、新闻、科技资讯
阅读原文 在惯性聚合中打开

推荐订阅源

WordPress大学
WordPress大学
Jina AI
Jina AI
小众软件
小众软件
GbyAI
GbyAI
钛媒体:引领未来商业与生活新知
钛媒体:引领未来商业与生活新知
博客园 - 【当耐特】
D
DataBreaches.Net
腾讯CDC
V
Visual Studio Blog
博客园 - 叶小钗
B
Blog
Apple Machine Learning Research
Apple Machine Learning Research
T
The Blog of Author Tim Ferriss
S
SegmentFault 最新的问题
OSCHINA 社区最新新闻
OSCHINA 社区最新新闻
V
V2EX
博客园 - 三生石上(FineUI控件)
云风的 BLOG
云风的 BLOG
The Cloudflare Blog
MongoDB | Blog
MongoDB | Blog
有赞技术团队
有赞技术团队
U
Unit 42
博客园 - 司徒正美
博客园 - 聂微东

ianVisits

TfL urged to crack down on passengers blasting music on trains and buses London’s weekly railway news The London Buzz – 18th June 2026 Jewish Museum London awarded £1 million grant while it looks for a new home Pontoon Dock DLR upgrade delayed by a few months Stranger Things meets South Bank in Anish Kapoor’s new exhibition London Museum confirms November opening date for its new Smithfield home London Underground roundel unveiled on Japan’s Tokyo Metro Winning design chosen for Clapham railway bridge makeover London’s Pocket Parks: Sam Philp Recreation Ground, Hayes, UB3 The London Buzz – 17th June 2026 Zip wire across Twickenham stadium to raise funds for children’s charity Tickets Alert: Tours of the 350-year-old Stationers’ Hall London’s ULEZ may be easing pressure on hospitals Floating temples and porcelain heads in the V&A’s new art show Visiting St Mary’s Church, Buttsbury in Essex The London Buzz – 16th June 2026 London’s Shaftesbury Theatre to be renamed after Dame Judi Dench Tickets Alert: See a miniature model of the Victorian artists Leighton House ImberBus 2026 reveals timetable and £10 all-day fare Barbara Hepworth’s colourful side revealed in new Courtauld exhibition London–Bedford railway to be closed for two consecutive weekends Tickets Alert: Tours of the ancient Westminster School Exhibition explores the thinking behind TfL’s trial bus shelter upgrades The London Buzz – 15th June 2026 Gandhi autograph and suffragette protests among treasures in new London archive Tower of London doubles price of late-night Ceremony of the Keys Exhibition celebrates the women who made a living painting dogs Lumo to launch Starlink based Wi-Fi on East Coast trains this autumn Government strips Epping Forest Council of major planning powers
Lost Music Venues review: The V&A recreates the sticky-fl...
ianVisits · 2026-06-03 · via ianVisits

Anyone who spent their youth standing in sticky-floored venues, clutching a warm pint, waiting for a band that would either become famous or, more usually, not, will find the V&A’s new Lost Music Venues exhibition an evocative trip back in time.

With a layout styled as a club, with ticket desk, cloakroom, a graffiti-covered greenroom and oh yes… you’ll shudder when you see the toilets, the exhibition has dialled up the atmosphere.

All it needed was the smell of cigarettes and stale beer (plus ahem, other smells best left unsaid).

Once inside, the exhibition unfolds through more than 100 objects, many donated by the public, telling the story of venues that have disappeared from Britain’s cultural landscape between the 1980s and 2010s. There are flyers, membership cards, posters, clothing and venue signs, each carrying traces of the communities that gathered around them.

Among the highlights is the original London Astoria sign (outside the exhibition), loaned by Damon Albarn.

Nearby are artefacts connected to the campaign to save the Rainbow Theatre in Finsbury Park, another reminder that venue closures are hardly a new phenomenon. The exhibition is at its strongest when exploring the ecosystem of small venues that helped launch bands before they became household names.

The exhibition broadens out to consider the pressures facing venues, from licensing battles and noise complaints to the devastation caused by the pandemic. The final section shifts from live music to club culture, charting the rise of legendary venues and club nights that shaped British nightlife.

By recreating not just the stages but the ticket booths, toilets and backstage spaces, the V&A manages to capture some of the texture of a night out as well as the history behind it.

It’s a nostalgic exhibition, certainly, but not one that simply looks backwards. Running through it is a clear message that today’s grassroots venues need protecting if future generations are to have their own stories, scenes and legendary nights to remember.

Although you might cry when you see the prices for gig tickets advertised on the posters.

The exhibition, Lost Music Venues, is at the V&A Kensington until the end of October 2027.

It’s free to visit, and can be found in the Theatre and Performance galleries (2nd floor).