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Billboard

Billboard’s Music Industry Events Calendar Taylor Swift, The Beatles, Elvis & More Artists With the Most Weeks at No. 1 on the Billboard 200: Full List Pacsun Drops a New Gov Ball Collection: Here’s How to Shop Merch & Apparel Online Can Drake’s New Chart Records Ever Be Beat & Who Else Could Put Up These Numbers? Jim Jones Challenges Cam’ron to ‘Verzuz’ in Harlem: ‘Let’s Settle This Once and for All’ BTS Is Teaming Up With This Classic Cookie for a Limited Edition Flavor: ‘We Ate Them As Kids, We Eat Them In the Studio’ The Beatles, Taylor Swift, Drake, Mariah Carey & More: Acts With the Most Billboard 200 & Hot 100 No. 1s Combined The Warehouse Project Outlines 20-Year Anniversary Celebrations With Film, Art, Music & More: ‘So Proud’ Olivia Rodrigo’s Intimate Barcelona Show Is Getting the Concert Film Treatment: Watch the Teaser Artists With the Most No. 1 Songs on the Hot 100, From The Beatles to Rihanna to Drake & More Drake Reacts to Breaking This Michael Jackson Chart Record: ‘Carry On Carry On’ Bad Bunny Joins the ‘Toy Story’ Universe as This Unexpected Character J. Cole & Cam’ron Settle Lawsuit Over ‘Ready ’24’ Collab Ziggy Marley Is Looking on the ‘Brightside’ for His First Proper Solo Album in Eight Years: ‘I Listen to This Album As If I Didn’t Make It’ U2 Hires Former Spotify Executive Sulinna Ong As Management Partner Shaggy Celebrates Four Decades of Wins With New ‘Lottery’ LP: ‘I’ve Always Bet on Myself’ Kehlani Announces North American Leg of World Tour: See the Dates KATSEYE 2026 Tour: Here’s Where to Buy Affordable Wildworld Tickets Online Girlfriend Is Billboard’s Up-and-Coming R&B Artist of the Month for May 2026 Stephen Wilson Jr. Dismisses the Clock, Succeeding on a Trail Few Have Blazed How Italy’s SIAE Is Shaping the Future of Copyright Protection Arcángel Unveils U.S. Dates for La 8va Maravilla 20 Aniversario Tour Ariana Grande Says She ‘Barely Tried’ in New Song ‘Hate That I Made You Love Me’ Tease Jimin Edits BTS’ AMAs Artist of the Year Winner Card to Show Who He Thinks Should’ve Won Instead Cardi B Promises to Perform at 2027 AMAs & Reacts to Knicks Advancing to NBA Finals: ‘What a Great Day’ Shakira Tax Ruling, Live Nation Case, Charlie Brown Lawsuits & More Top Music Law News Drake Becomes First Artist to Earn 400 Total Hot 100 Hits As He Charts 42 Songs in a Single Week Everything We Know About Olivia Rodrigo’s ‘You Seem Pretty Sad for a Girl So in Love’ Album (So Far) Olivia Rodrigo Drops ‘You Seem Pretty Sad’ Tracklist With Intriguing Titles Such as ‘Maggots for Brains’ & ‘Purple’ Here Are All the Hot 100 Records That Drake Has (and Hasn’t) Broken Fat Joe Claims Cavaliers Denied His Game 4 Courtside Seats as Knicks Clinch 1st NBA Finals Berth Since 1999 Drake’s ‘Janice STFU’ Debuts at No. 1 on Global 200, BTS’ ‘Swim’ Holds Atop Global Excl. U.S. Chart Shinedown Extends Mainstream Rock Airplay No. 1 Record With ‘Safe and Sound’ From KATSEYE to BTS, Which Artist’s Performance at the 2026 AMAs Was Your Favorite? Vote! Drake Debuts at No. 1 on Billboard Hot 100 With ‘Janice STFU,’ Charts Single-Week Record 42 Songs Members of Japanese Punk Band Peelander-Z Remain Hospitalized After Tour Van Rear-Ended By Semi-Truck in Albuquerque ‘The Soul Man’ David Porter Talks Stax Records Legacy: ‘We Didn’t Know It Would Connect Until It Did’ Paul McCartney Gives Paul Mescal a Look Inside His Songwriting Process on ‘Dungeon Lane’ Album: ‘I Haven’t Got a Formula’ Weezer’s Rivers Cuomo Uploads Unplugged Covers of Michael Jackson, Whitney Houston, Nirvana, Guns N’ Roses, Outkast Rise Against and Dropkick Murphys Set for Biggest-Ever Australian and New Zealand Shows Snubs and Surprises at the 2026 American Music Awards BTS Wins Artist of the Year at 2026 American Music Awards; Taylor Swift Goes 0-8 Dom Dolla to Headline Marvel Stadium in Melbourne for AFL Grand Final Eve Show All of the 2026 AMAs Performances, Ranked Sonny Rollins, One of Jazz’s Greatest Saxophonists, Dies at 95 BTS Wins Artist of the Year at 2026 AMAs: ‘We Made It Once Again’ KATSEYE Shouts Out BTS for ‘Inspiring Us’ in New Artist of the Year Acceptance Speech at 2026 AMAs KATSEYE Saturates the Stage at 2026 American Music Awards With Colorful ‘Pinky Up’ Performance Carlos Vives Pours Colombian Pride Into Miami With Tour Al Sol: ‘It Is Important to Be in This City’ Karol G Stunned by Surprise AMAs Win After Accepting International Artist of Excellence: ‘My Life Is Meaningful Because of My Music’
约翰·萨姆特论创立其品牌、于麦迪逊广场花园损失百万及筹备即将到来的场馆巡演
Kristin Robi · 2026-05-28 · via Billboard

约翰·萨姆特者,今乃舞曲界之巨擘。岁初,其出第二专辑,名《CTRl ESCAPE》,The ChainsmokersFeid者共襄之。 乃欲将其本真之科技之家音韵,引至新境。彼方营新曲,而 Summit 亦同步营建舞乐界炙手可热之标签 Experts Only,自 2022 年肇始,屡冠 Beatport 全球标签榜。此标签既出,复引 Devault、Layton Giodani、Max Styler 诸家乐章。

电子乐界之常情也,专家独享者,殆与厂牌无异,亦为盛会之业。经专家独享者发歌者,常受邀参与展演,如纽约市兰德尔岛六万之众之节,或为维尔、惠斯勒之滑雪周末。

然 Summit 感其有“足以动众之才”。今岁晚,得机以显其能——乃 Lollapalooza 芝加哥之领衔,舞者难有此盛,亦 Summit 之胜也,盖其少时生于芝加哥近郊。十月,将启竞技场巡演,以助 CTRL ESCAPE,凡二十站,自加拿大抵加利福尼亚。

于最新一集有言在先,论及自立唱片公司之志,谋未来场馆巡演之策,及舞曲之业何以异于众类。

欲观全篇,或闻其声,请于YouTube下阅 有言在先 ,或于他播客平台寻之 于此。。览此段对话,

。舞乐之业,吾所异者,乃其独重单曲,众遂流徙于诸厂牌。君亦然,少时自 Repopulate Mars、Defected Records 等厂牌间辗转。君与彼等结盟之策,何在?

众标亦多举事,吾欲效之。吾素欲游艺于欧,惟有合于Defected Croatia及其事于英伦,诸如此类,方可得入其会,使其众知吾也。欲登此会,必与共发乐章。舞乐之场,艺者自办之标甚众。吾所办Experts Only,今亦有其众矣。今年于纽约举一节,众至六万,是故事渐大,诚可喜也。

尔等专家独享之会,今有何事举行?

去岁,吾等于兰德尔岛首举纽约之会,今岁则稍广其制——益增一坛,广罗名士。又于二月,举滑雪之会。今岁复值情人节,吾等将启其国际化之途。虽不能言,然将来之事,尚多。

吾尝为滑雪周末之乐,盖少时岁岁滑雪也。后启游历之兴,岁演二百五十场,遂不得不辍。悲哉!然吾忽思:“若兼得滑雪与舞厅音乐、酣饮之乐,岂非两全?”适得众乐者皆好之,盖日间滑雪,夜则酣饮——此吾之至境也。

夏日之季,汝将领衔洛拉帕洛扎。汝以为,身为舞者,为得此角,其证己之需,较之流行音乐之领衔者,尤甚乎?

然。吾见歌迷之评,有云:“约翰·萨姆特何许人也?”吾心甚惊,初谓己之艺业甚佳。然吾思之,犹有众多之才俊待见,此诚美事。吾虽涉足流行之域,然犹觉舞艺为专,盖未尝有佳作耳。公告牌百强单曲榜踪迹或任何物。吾于舞曲之榜列名,然[主流流行]实乃异域。

求君奏乐,其需无已。君尝言,岁中演剧二百五十场。君以何为界,于乐事之中,犹得暇时制乐、主刊,而不至于疲敝乎?

此乃吾辈日日思量之事。吾尝倦怠——非近周末,乃前周末也——遂废吾平生首演,至今思之,犹觉愧怍。然吾实病矣,足踝扭伤,心神俱疲。方自亚洲巡演而归,复入南非。吾自红岩音乐厅(Red Rocks Amphitheatre)五小时之演,至科切拉(Coachella),继而发新专辑,复至巴厘、曼谷、新加坡、中国、南非,复赴南美,终在迈阿密演四场。一时之务,过于负荷。

然也,且汝之行李亦毁矣!

[笑] 当时有场彻底的崩溃。于是我便想,或许我该吃颗镇静药片刻。

甚艰。吾自巡行归,吾之整行囊爆裂——吾失其半衣!然吾以为次——吾有此竞技场巡行于秋。控制 逸脱新专辑也,吾以为此后当稍缓其步矣。

舞乐之趣,在易为演事之至廉也。所需惟人及便携之器耳。

甚可笑也,吾方自EDC归,此乃全球费用之最昂者,然则且行!

此即吾意所向。今世舞者多极尽视听之能事,如Anyma之属,不惜重金。尔之妙境,岂不处于二者之间乎?

吾以为此乃平衡之道。今年于Do LaB(Coachella)设临时舞台,此乃绝佳之例——其制作犹为惊人,当然,彼等亦倾囊以付——然吾为艺者,仅至,拆解之,复去。吾所需者,唯USB耳。然吾等亦于台上设吾等之CTRL ESCAPE 块。

是乐甚也,盖吾于演说之际,可尽兴挥洒,无拘无束——既无幻象之助,亦无提示之限。纵有之,吾之同僚亦知如何应变,如何随我之兴而动。及至巡演于竞技场,则当盛装大演矣。汝知竞技场巡演之状乎?吾辈于此,当谋幻象之设,量吾所需,或更添光耀之奇观。

忆昔四特斯克里莱克斯(Skrillex)弗雷德复来..演Coachella,彼辈用之弗兰克·奥申(Frank Ocean)余之残产,独立于中。此唯乐事耳,且甚受赞赏——盖舞者实以乐为先,其余皆如铃铛风铃耳。

闻君之在麦迪逊广场花园之演,失金甚巨

吾失百万金。然,吾注资$百万入己,实也;吾正之!

何故以为此乃额外之费值得之时?

此乃吾之盛举也。吾乃舞音界首批真行者之一。诚然,他人亦有所为,然吾之同侪——科技舞音界——未有登此舞台者。此亦为理念之证。吾素欲举办全场巡回,今秋遂有二十余场……若吾今行商道,则于巡演中可分摊二十场之制作成本,实能获利。此故,方见如斯之人哈里·斯泰尔斯 舞台于三十麦迪逊广场花园。若仅作一役,则耗时费钱竭力,仅为一场。实当巡游四方。然吾演此MSG之戏,方知其可行,而众皆悦之。

众皆疑俱乐部之乐,难适竞技场之境,座次种种,然吾于二零二四年末,于洛杉矶之 Kia Forum,三日之会,竟获大胜,收支相抵。今知竞技场实乐无穷,吾可携此乐遍行全国,至彼未尝涉足之市井。


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