惯性聚合 高效追踪和阅读你感兴趣的博客、新闻、科技资讯
阅读原文 在惯性聚合中打开

推荐订阅源

N
News and Events Feed by Topic
Malwarebytes
Malwarebytes
Threat Intelligence Blog | Flashpoint
Threat Intelligence Blog | Flashpoint
C
Cybersecurity and Infrastructure Security Agency CISA
F
Future of Privacy Forum
C
Cisco Blogs
T
The Exploit Database - CXSecurity.com
A
Arctic Wolf
S
Securelist
K
Kaspersky official blog
S
Schneier on Security
T
ThreatConnect
T
Tenable Blog
Spread Privacy
Spread Privacy
T
True Tiger Recordings
AWS News Blog
AWS News Blog
F
Fox-IT International blog
量子位
T
Threatpost
V
Vulnerabilities – Threatpost
C
CERT Recently Published Vulnerability Notes
Cisco Talos Blog
Cisco Talos Blog
GbyAI
GbyAI
宝玉的分享
宝玉的分享
腾讯CDC
G
Google Developers Blog
aimingoo的专栏
aimingoo的专栏
Cyberwarzone
Cyberwarzone
有赞技术团队
有赞技术团队
S
SegmentFault 最新的问题
OSCHINA 社区最新新闻
OSCHINA 社区最新新闻
V
Visual Studio Blog
U
Unit 42
雷峰网
雷峰网
cs.CV updates on arXiv.org
cs.CV updates on arXiv.org
Simon Willison's Weblog
Simon Willison's Weblog
O
OpenAI News
freeCodeCamp Programming Tutorials: Python, JavaScript, Git & More
The GitHub Blog
The GitHub Blog
The Register - Security
The Register - Security
MyScale Blog
MyScale Blog
小众软件
小众软件
A
About on SuperTechFans
Last Week in AI
Last Week in AI
Y
Y Combinator Blog
博客园 - 三生石上(FineUI控件)
美团技术团队
Google Online Security Blog
Google Online Security Blog
P
Proofpoint News Feed
MongoDB | Blog
MongoDB | Blog

Variety

Uday Shankar: Cricket Boards Are Pricing Out Their Biggest Market Cuba Gooding Jr., Luke Ford, Keith Duffy and Qymira Board 'Lotus' 'Red Rocks' Review: Bruno Dumont's Latest Experiment Centers Children ‘A Girl Unknown’ Review: Understated and Aching Chinese Period Drama Korea Box Office: Yeon Sang-ho's 'Colony' Rockets to No. 1 'De Gaulle: Résistance’ Review: A Conventional But Engaging Biopic China Box Office: ‘Dear You’ Enjoys Spectacular Surge Euphoria Episode 7 Recap: Nate Dies, Cassie Tries to Sleep Her Way to the Top Kate Mansi to Exit 'General Hospital' After Three Years How to Watch 'Rick and Morty' Online: Streaming, Pricing, New Episodes CBS Isn't Suppressing Stephen Colbert's 'Only in Monroe' Public Access 'Passenger' Review: A Stylish, Satisfying Thrill-Ride How 'Obsession' Became an Unprecedented Box Office Horror Hit Drake Sets Album Chart Record as First to Debut in Top Three Slots Beartooth Singer Caleb Shomo Comes Out as Gay Box Office: 'Michael' Nears $800 Million, 'Devil Wears Prada 2' Hits $600 Million Mandalorian: Pedro Pascal Double Brendan Wayne Is John Wayne Grandson Star Citizen Hits $1 Billion in Funding, Squadron 42 Release Update 'Gilded Age' First Look, 'Harry Potter' Footage in New HBO Max Trailer Zvyagintsev Addresses Putin at Cannes: 'Put an End to This Carnage' Mandalorian & Grogu Box Office: Star Wars Movie Opens to $100 Million ‘Euphoria’ Season 3 and Rue’s Missing Mom: Nika King on Her Absence 'Everytime' Review: Sandra Wollner's Poised, Haunting Third Feature Buy Monopoly FIFA World Cup Edition Panini Prizm Cards, Deal Game Crunchyroll Anime Awards 2026 Winners: 'My Hero Academia Final Season' How to Watch the 2026 French Open Live Online, Tennis Livestream Cannes Jury Chief Park Chan-wook Jokes About Coveting the Palme d'Or Live Nation Operates in 'Climate of Fear,' Finds U.K. Trade Committee Neon Claims Seventh Consecutive Palme d'Or at Cannes for 'Fjord' Alfred Molina on ‘The Boroughs’ Spoilers, ‘Spider-Man: Brand New Day’ Barbra Streisand Sends Video Message to Cannes Film Festival Ludwig Göransson on Scoring 'The Mandalorian and Grogu'
Boots Riley Says Cannes Didn't Pick His Latest Movie I Love Boosters
Alex Ritman · 2026-05-25 · via Variety

Neon may be the toast of Cannes — again — after landing its seventh consecutive Palme d’Or on Saturday thanks to “Fjord,” but according to Boots Riley, the distributor could have had another hot film in its 2026 lineup.

With the musician and filmmaker’s latest movie “I Love Boosters” having hit cinemas on May 22, Riley has been busy promoting the crime comedy — starring Keke Palmer, Naomi Ackie, Taylour Paige, Poppy Liu, Eiza González and LaKeith Stanfield — across social media.

But when asked by someone on X why Neon chose to launch the film at SXSW rather than in Cannes, Riley said that it was down to the French festival, which he claimed had also rejected his previous projects, including his 2018 dark comedy feature debut “Sorry to Bother You” (which bowed in Sundance that year) and 2023 surrealist comedy series “I am a Virgo.”

“Cannes didn’t pick Sorry to Bother You altho they picked other stuff that had been played in their home country,” he wrote. “They picked The Idol over I’m a Virgo. They didn’t pick I Love Boosters.”

Riley concluded: “They just don’t like my stuff. All good.”

“I Love Boosters,” Riley’s second feature, is a absurdist comic send-up of consumerism, following a Robin Hood-like gang who shoplift high fashion from the rich and then sell it on on for a fraction of the price.

In Variety‘s review, it described the film as an “incendiary prank of a movie” that “begs our indulgence at times yet also invites us to get high on what a playful provocation it is.”

Variety has reached out to both the Cannes Film Festival and Neon.