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The New Yorker

The Paperboy’s Secret Taiye Selasi on How to Survive Perfectionism Taiye Selasi Reads “Firstborn Immigrant Daughter” Restaurant Review: Ambassadors Clubhouse The Expansive Joy of Mao Ishikawa Italy Has Failed to Qualify for Three Straight World Cups. Are the Country’s Immigration Policies to Blame? When the Religious Right Came for Martin Scorsese Play Shuffalo: Saturday, May 30, 2026 The Knicks: The Only Game in Town Why “Yesteryear” Is Everywhere Dan Osborn, the Independent Senate Candidate Who Could Tip Nebraska Daily Cartoon: Friday, May 29th The Mini Crossword: Friday, May 29, 2026 “Hacks” Gave Us an Odd Couple for the Ages Inside Lebanon’s Fraught Push to Disarm Hezbollah Should You Automate Your Life? “Greater New York” Takes the Pulse of the City Postscript: Donald Newhouse Play Shuffalo: Friday, May 29, 2026 “Power Ballad,” Reviewed: A Bromantic Conflict Over a Hit Song Donald Trump Gets Even Attack of the “Flesh-Eating” Bacteria Taking Children from Their Parents Without a Court Order The Stories That TV Tells About Online Sex Work Daily Cartoon: Thursday, May 28th Play Shuffalo: Thursday, May 28, 2026 We Found Amelia Earhart, but She Cut Her Bangs, So We Didn’t Recognize Her The Mini Crossword: Thursday, May 28, 2026 All the Films in Competition at Cannes 2026, Ranked from Best to Worst A Prison Escape in Georgia The Whiplash of the U.S.-Iran Peace Talks Julia Alvarez Reads Judy Page Heitzman Daily Cartoon: Wednesday, May 27th What the Pope Said About A.I. Play Shuffalo: Wednesday, May 27, 2026 Everlane and the Death of the “Good” Millennial Life-Style Brand The Crossword: Wednesday, May 27, 2026 Hollywood Comes to Jesus The Kids Are Not All Right at Cannes The Revolutionary Force of Sonny Rollins The Epic Disaster of Operation Epic Fury Daily Cartoon: Tuesday, May 26th Ken Paxton Wins the Senate Republican Primary Runoff in Texas The Despair of the Professor in the Age of A.I. I Am a Woman in My Thirties, and I Am Thriving Play Shuffalo: Tuesday, May 26, 2026 The Crossword: Tuesday, May 26, 2026 How a Small-Town Clerk’s Misdeeds Upturned the Murdaugh Verdict Ken Paxton Wins the Senate Republican Primary Runoff in Texas Why Any Plausible Iran Deal Is a Humiliation for Trump Play Shuffalo: Monday, May 25, 2026 “What I Saw,” by Matthew Dickman Mark Ulriksen’s “Kings of New York” “This Vast Enterprise: A New History of Lewis & Clark,” Reviewed “Ecologies of Perception,” by Terrance Hayes Slide Show: New Yorker Cartoons June 1, 2026 The Useless Beauty of Christo and Jeanne-Claude A Vindication of the Rights of L.L.M.s The Trump-Epstein Files: Look but Don’t Touch Mariska Hargitay Trades Her Badge for Confetti Can Anything Stop Donald Trump’s Corruption? Play Laugh Lines No. 73: Funerals The Crossword: Monday, May 25, 2026 Daily Cartoon: Monday, May 25th How “The Chosen” Spurred a Golden Age of Christian Filmmaking What Dogs See When They Look at Us How Problematic Is Patriotism? The Ukrainian Stunt Pilot Hunting Russian Drones How Trump Created a Slush Fund for His Allies Ayşegül Savaş Reads “Many Worlds” “Many Worlds,” by Ayşegül Savaş The Leader of NASA’s Artemis II Mission Is Still Moonstruck How Prepared Are We for a Public-Health Emergency? Play Shuffalo: Sunday, May 24, 2026 Ayşegül Savaş on Smugness and Creativity Restaurant Review: Cote 550 The Transformation of Elina Svitolina What’s Missing from Belle Burden’s “Strangers” What Jack Kerouac Left Behind The Verve and Confrontation of Lisa Yuskavage’s Naked Ladies How Raghu Rai Captured an India in Transition Is the Working Class Finally Turning on Trump? Play Shuffalo: Saturday, May 23, 2026 Is Washington Up to the Challenge of A.I.? A Funeral for Stephen Colbert’s “Late Show” Dana White Thinks Everyone’s a Fighter A FEMA Insider Says Morale Has Never Been Lower at the Embattled Agency Daily Cartoon: Friday, May 22nd Summer Culture Preview “I Love Boosters,” Reviewed: A Socialist-Surrealist Shoplifting Fantasy Play Shuffalo: Friday, May 22, 2026 How Good Is This World Cup Squad, Really? The Mini Crossword: Friday, May 22, 2026 Why Is It So Hard to Be Ordinary? Will College Soon Be Obsolete? Singing the Knicks’ Praises, with a Dash of Metal Daily Cartoon: Thursday, May 21st Play Shuffalo: Thursday, May 21, 2026 Updated Birdsong Mnemonics for Donald Trump’s America Daily Cartoon Slide Show
Dan Mintz, Reanimated
Emma Allen · 2026-06-22 · via The New Yorker

Comedians can be control freaks. However freewheeling a standup set may seem, it’s usually the product of obsessive trial runs and rewrites. But every comic walks onstage along a precipice of potential disaster. Unless, that is, the set is fully animated, in which case every blink and cough can be endlessly tweaked. Dan Mintz’s new YouTube special, “Well Rounded Entertainer,” is this kind of routine: it is a cartoon.

In the special, a two-dimensional Mintz delivers a fusillade of non-sequitur one-liners—Borscht Belt-y, but peppered with severed-dick jokes—in a nasal deadpan that is recognizable as the nasal deadpan of Tina Belcher, the angsty teen “Bob’s Burgers” cartoon character that Mintz has voiced in more than three hundred episodes. It is uncanny to hear an animated forty-five-year-old man say “A pack-a-day habit is bad for a smoker, but it’s really bad for a guy who molests Cub Scouts” in Tina’s voice—like seeing Bart Simpson suddenly quoting Scripture.

One recent evening, performing on “The Tonight Show,” the human Mintz had no cartoon avatar to hide behind. He rattled off some of his more network-friendly fodder: “I grew up dirt-poor,” he began. The audience let out a sympathetic “Aww!” He continued: “We were money-rich, but we had very little dirt.”

After the taping, Mintz made his way through the bowels of 30 Rock and perused the menu at a rinkside Italian restaurant. “I always have to Google every kind of pasta,” he said. Was a gnocco, he mused, “just a baked potato?” He talked about how John Mulaney, who executive-produced the new special, also officiated at his 2011 wedding. Mintz said that he was nervous before the ceremony—he had to follow Mulaney, after all, and his vows contained a bit. “It started with ‘I really wanted these vows to be good. I spent so much time on them, I haven’t even had a moment to watch the news,’ ” Mintz recalled. “Then it was, like, ‘Your flaws are as hard to find as Osama bin Laden,’ ” who’d just been killed. “It was a big swing,” he said. “What if I’d bombed?”

Mintz ordered rigatoni carbonara and described a heckler from early in his career. “It was just a woman saying, ‘You’re not funny and you’re a bad comedian!’ That’s the kind of heckling that happens on TV all the time, but not in real life.”

“Well Rounded Entertainer” is not the first-ever cartoon comedy special—Tig Notaro put one out in 2021. But, where Notaro used the format to dramatize long anecdotes, Mintz’s special is mainly just him, in a red T-shirt and glasses, talking into a mike. “Eventually, people convinced me that there should be a reason for the animation,” he said. So he added cameos by “Tom Hanks,” the world’s oldest tree, and a gospel choir.

In an early cut, Mintz didn’t like the shape of his head. “It’s kind of big,” he said, ruefully. “I can’t go to a hat store—I have to go to Big Hats for Big Heads.” He continued, “The tricky part was that, if someone’s trying to draw a picture of you, the funniest version is kind of insulting. But if you take the edit too far it’s like airbrushing a head shot.”

The animated set is based on a live show Mintz did at Dynasty Typewriter, in Los Angeles. The audience was packed with parents from his kids’ school (he has an eleven-year-old and a thirteen-year-old), who turned out not to be the biggest laughers. “But I didn’t want to see people laughing hard,” Mintz insisted. “If you see it, people will be, like, ‘You drew that! You drew them to laugh at you!’ ”

He thought back on his own teen years, in Anchorage, Alaska: “I was kind of similar to Tina, I guess, except maybe without her confidence.” He adopted his monotonic demeanor in the seventh grade, when, he said, “I just felt, like, ‘I can’t betray any kind of emotion.’ ” In high school, “I realized that, if I said something sexually inappropriate in my voice, it would get a laugh.” (From the special: “I think anything’s O.K. if there are two consenting adults—except a threesome.” A classic Tina-ism: “I’m nuts for butts.”)

For his closer on Fallon, he opted for the opening joke from the special: “When you’re little and you hear a noise in the middle of the night, you’re, like, ‘Please be the water heater, not a monster.’ But when you grow up you’re, like, ‘Please be a monster, not my water heater.’ ” Mintz had been nervous about how it would play, he explained, because, “in Manhattan, people aren’t homeowners.” He prayed that there’d be people from Jersey in the house. The joke killed. ♦