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The Paperboy’s Secret Taiye Selasi on How to Survive Perfectionism Taiye Selasi Reads “Firstborn Immigrant Daughter” Restaurant Review: Ambassadors Clubhouse The Expansive Joy of Mao Ishikawa Italy Has Failed to Qualify for Three Straight World Cups. Are the Country’s Immigration Policies to Blame? When the Religious Right Came for Martin Scorsese Play Shuffalo: Saturday, May 30, 2026 The Knicks: The Only Game in Town Why “Yesteryear” Is Everywhere Dan Osborn, the Independent Senate Candidate Who Could Tip Nebraska Daily Cartoon: Friday, May 29th The Mini Crossword: Friday, May 29, 2026 “Hacks” Gave Us an Odd Couple for the Ages Inside Lebanon’s Fraught Push to Disarm Hezbollah Should You Automate Your Life? “Greater New York” Takes the Pulse of the City Postscript: Donald Newhouse Play Shuffalo: Friday, May 29, 2026 “Power Ballad,” Reviewed: A Bromantic Conflict Over a Hit Song Donald Trump Gets Even Attack of the “Flesh-Eating” Bacteria Taking Children from Their Parents Without a Court Order The Stories That TV Tells About Online Sex Work Daily Cartoon: Thursday, May 28th Play Shuffalo: Thursday, May 28, 2026 We Found Amelia Earhart, but She Cut Her Bangs, So We Didn’t Recognize Her The Mini Crossword: Thursday, May 28, 2026 All the Films in Competition at Cannes 2026, Ranked from Best to Worst A Prison Escape in Georgia The Whiplash of the U.S.-Iran Peace Talks Julia Alvarez Reads Judy Page Heitzman Daily Cartoon: Wednesday, May 27th What the Pope Said About A.I. Play Shuffalo: Wednesday, May 27, 2026 Everlane and the Death of the “Good” Millennial Life-Style Brand The Crossword: Wednesday, May 27, 2026 Hollywood Comes to Jesus The Kids Are Not All Right at Cannes The Revolutionary Force of Sonny Rollins The Epic Disaster of Operation Epic Fury Daily Cartoon: Tuesday, May 26th Ken Paxton Wins the Senate Republican Primary Runoff in Texas The Despair of the Professor in the Age of A.I. I Am a Woman in My Thirties, and I Am Thriving Play Shuffalo: Tuesday, May 26, 2026 The Crossword: Tuesday, May 26, 2026 How a Small-Town Clerk’s Misdeeds Upturned the Murdaugh Verdict Ken Paxton Wins the Senate Republican Primary Runoff in Texas Why Any Plausible Iran Deal Is a Humiliation for Trump Play Shuffalo: Monday, May 25, 2026 “What I Saw,” by Matthew Dickman Mark Ulriksen’s “Kings of New York” “This Vast Enterprise: A New History of Lewis & Clark,” Reviewed “Ecologies of Perception,” by Terrance Hayes Slide Show: New Yorker Cartoons June 1, 2026 The Useless Beauty of Christo and Jeanne-Claude A Vindication of the Rights of L.L.M.s The Trump-Epstein Files: Look but Don’t Touch Mariska Hargitay Trades Her Badge for Confetti Can Anything Stop Donald Trump’s Corruption? Play Laugh Lines No. 73: Funerals The Crossword: Monday, May 25, 2026 Daily Cartoon: Monday, May 25th How “The Chosen” Spurred a Golden Age of Christian Filmmaking What Dogs See When They Look at Us How Problematic Is Patriotism? The Ukrainian Stunt Pilot Hunting Russian Drones How Trump Created a Slush Fund for His Allies Ayşegül Savaş Reads “Many Worlds” “Many Worlds,” by Ayşegül Savaş The Leader of NASA’s Artemis II Mission Is Still Moonstruck How Prepared Are We for a Public-Health Emergency? Play Shuffalo: Sunday, May 24, 2026 Ayşegül Savaş on Smugness and Creativity Restaurant Review: Cote 550 The Transformation of Elina Svitolina What’s Missing from Belle Burden’s “Strangers” What Jack Kerouac Left Behind The Verve and Confrontation of Lisa Yuskavage’s Naked Ladies How Raghu Rai Captured an India in Transition Is the Working Class Finally Turning on Trump? Play Shuffalo: Saturday, May 23, 2026 Is Washington Up to the Challenge of A.I.? A Funeral for Stephen Colbert’s “Late Show” Dana White Thinks Everyone’s a Fighter A FEMA Insider Says Morale Has Never Been Lower at the Embattled Agency Daily Cartoon: Friday, May 22nd Summer Culture Preview “I Love Boosters,” Reviewed: A Socialist-Surrealist Shoplifting Fantasy Play Shuffalo: Friday, May 22, 2026 How Good Is This World Cup Squad, Really? The Mini Crossword: Friday, May 22, 2026 Why Is It So Hard to Be Ordinary? Will College Soon Be Obsolete? Singing the Knicks’ Praises, with a Dash of Metal Daily Cartoon: Thursday, May 21st Play Shuffalo: Thursday, May 21, 2026 Updated Birdsong Mnemonics for Donald Trump’s America Daily Cartoon Slide Show
Victor Wembanyama Towers Over the Thunder, and the Game of Basketball
Louisa Thomas · 2026-06-01 · via The New Yorker

Victor Wembanyama, the San Antonio Spurs’ supernova, opened the Western Conference Finals, against the Oklahoma City Thunder, with forty-one points and twenty-four rebounds in a double-overtime game that seemed to reset the possibilities of professional basketball. He ended Game Seven, a thrilling 111–103 win over the defending champions, with a pedestrian stat line—twenty-two points, two assists, seven rebounds—and a glimpse of his dreams. And when it was over, after he had broken down in tears and screamed with euphoria and relief, he hugged and leaned on his teammates, who had, for much of the second half, become the best versions of themselves, and, collectively, a reflection of him.

Wembanyama has an eight-foot wingspan and a nearly ten-foot standing reach. He can dunk without leaving the ground or smoothly sink a standard jump shot—you have to see it to believe it—from forty-two feet. In his third N.B.A. season, he may already be the best defender in pro-basketball history. A story of Saturday night’s game could be told in one play, which took place late in the fourth quarter. The Thunder’s implacable scoring machine, Shai Gilgeous-Alexander—among the most gifted foul-baiters of his generation, who had received his second straight Most Valuable Player award days before—had the ball. Up to this point, he had played (finally!) with his usual surgical precision. Wembanyama, playing with five fouls, was a stray hand away from fouling out of the game, and was all that stood between Gilgeous-Alexander and the basket. But the reigning M.V.P. declined to challenge him.

Not that anyone could really blame Gilgeous-Alexander. All series, the Spurs had focussed their tremendous defensive efforts on him, often exclusively. The Thunder’s second-best player, Jalen Williams, who might have had the strength to deal with Wembanyama, and usually relieved the relentless pressure on Gilgeous-Alexander, missed the game because of an injury. Throughout Game Seven—throughout the series, throughout the season—players panicked when they dribbled toward Wembanyama in the paint. Analysts have struggled to invent new statistics that capture how often ball handlers abort their drives and pass or veer away from him.

But here is another story of the series: before Game One, Wembanyama had to sit and watch Gilgeous-Alexander accept that M.V.P. trophy—an award Wembanyama had openly sought. He took it personally. During the finals, the Spurs were at their best, statistically, when Wembanyama was on the court. That isn’t surprising. But the same was not true for the Thunder’s best player, Gilgeous-Alexander: Oklahoma City was actually outscored when he was on the floor. (Out of kindness, let us not speak of the performance of Chet Holmgren, who was drafted one spot behind Wembanyama, finished second in Defensive Player of the Year balloting, and was once talked of as Wembanyama’s rival.)

So outlandish are Wembanyama’s skills, and so anomalous his physiology, that people commonly refer to him as an alien. It fits. But what comes through when you watch him is his humanity. So much of his game exists not only in psychological dimensions but also in spiritual ones. He meditates before free throws. He cries, he listens closely, he becomes indignant. To ready himself for the demands of the season, he spent ten days training with monks at a Shaolin temple in China.

As much as any physical gift, what has made Wembanyama tower over his opponents, and now, it seems, over the sport, is his ability to rise to the moment. In this series, he understood the stakes and didn’t flinch. “This game is so hard, this team”—the Thunder—“is so good, that you gotta use every single emotion you got in you in order to win,” Wembanyama said on NBC’s postgame show. Sometimes he is driven by passion, he said, sometimes by love, sometimes by anger. “Sometimes it might even be jealousy,” he went on. “But I don’t wanna weigh myself down with any of these energies. I use them on the court.” He is twenty-two years old.

This Thunder team was impeccably constructed by its general manager, Sam Presti, who made trades that netted valuable draft picks, scoured the league for undervalued talent, found a future M.V.P. in a trade, and built a rotation of thirteen guys who elsewhere would have been starters—all of whom fit the team’s stringent, detail-oriented culture, which Presti had learned, in the early two-thousands, in San Antonio, where he spent the first several years of his career.

It is tempting, then, to view the rivalry between the Thunder and the Spurs, now fully realized, as a battle between a team and an individual, the swarm and the superstar. But the most surprising thing about the Spurs right now might be the performance of Wembanyama’s teammates. In Game Seven, the Spurs outplayed the Thunder throughout the first half, and yet victory was still within reach for the defending champs. Then a guy named Julian Champagnie, who’d gone undrafted four years ago and been cut by the Philadelphia 76ers three years ago, and, at that point, considered his career done, came into the game, and started drilling threes. The veteran point guard De’Aaron Fox flew around the court despite a high ankle sprain and delivered any number of winning plays. The rookie Dylan Harper—age twenty!—played with remarkable poise.

And when Wembanyama went to the bench in the fourth quarter with five fouls, and Gilgeous-Alexander began finding the space that he thrives in, and the excitement swelled in the partisan Oklahoma City crowd, with plenty of time still on the clock, Luke Kornet checked in. Kornet is an élite comedian, a competent backup, even a good writer! But he is not, let’s face it, on the level of the other players who were on the floor, playing some of the best basketball we’ve ever seen. And suddenly, with six minutes left and the Spurs up by six, he found himself racing after Isaiah Hartenstein, who had just stolen the ball and had an open lane to the basket. Kornet chased him down and cleanly blocked his shot, leading to a Spurs basket on the other end. It was a four-point swing and, in retrospect, the beginning of the end for the Thunder.

The block was one thing. The reaction on the bench was another. Wembanyama—usually the one to make that kind of play—clenched his fist and bit it. Kornet’s teammates embraced him. There was a palpable sense of inspiration flowing from player to player. Presti brought San Antonio’s team-oriented culture to Oklahoma City, but Wembanyama has brought a culture, too, and, by the force of his example and his will, he has remade the image of his team.

Someone will have to tell the young Spurs—kids, really—that there is yet another series to play. It begins on Wednesday. The N.B.A. Finals! Against the New York Knicks! The Knicks will come in fully rested, after two straight sweeps. Thanks to some recent strategic changes, and the dazzling force of their growing confidence, they have transformed from a very good regular-season team into one that has looked, at times, almost unbeatable. The Spurs, meanwhile, exhausted themselves to beat the Thunder. The finals will be a test in almost every way. Wembanyama in the Garden, Jalen Brunson in the clutch, Karl Anthony-Towns at the top of the key, Fox at full speed, OG Anunoby doing—well, almost anything: basketball nirvana. The dream. ♦